Super Artists in Super Audio Vol. 9 (2017)

Vivaldi, Wagner, Couperin, Eben, Alfven, Bach, Piazzolla, Mozart, Gershwin, Glass, Britten, Bottesini, Stravinsky

Florilegium, Budapest Festival Orchestra, Amsterdam Sinfonietta, Rachel Podger, The Netherlands Bach Society, The Gents, Lavinia Meijer, Rick Stotijn, Jane Rogers, Wim Van Hasselt, Swedish Radio Choir, Christianne Stotijn, Holland Baroque

Ivan Fischer, Jos Van Veldhoven, Peter Dijkstra, Beni Csillag

Candide Thompson, James Gilchrist, Haags Saxophone Quartet, Jasper de Waal, Erika Takezawa, Hans Eijsackers, Johannette Zomer

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Florilegium

Regular performances in some of the world’s most prestigious venues have confirmed Florilegium’s status as one of Britain’s most outstanding period instrument ensembles. Since their formation in 1991 they have established a reputation for stylish and exciting interpretations, from intimate chamber works to large-scale orchestral and choral repertoire.

Concert venues include Sydney Opera House, Esplanade (Singapore), Teatro Colon (Buenos Aires), Wigmore Hall and Royal Festival Hall (London), Concertgebouw (Amsterdam),Konzerthaus (Vienna), Beethoven-Haus (Bonn), Handel-Haus (Halle) and Frick Collection (New York). The numerous residencies Florilegium have held over the years include being the first period instrument Ensemble-in-Residence at London’s Wigmore Hall. This Residency was for three seasons and involved the group performing several series of concerts each year and becoming actively involved in the Hall’s education work. Since September 2008 they have been Ensemble in Association at the Royal College of Music in London, where they are responsible for coaching 18th century baroque chamber music. Their over twenty recordings for Channel Classics have been awarded many prizes including a Gramophone Award nomination, Editor’s Choice from Gramophone, Diapasons d’Or and Chocs de la Musique. Florilegium’s cd of Telemann’s Paris Quartets Vol 2 received the Classical Internet Award from Classicstoday.com. The Bach Cantatas disc with Johannette Zomer was awarded a 2008 Edison Award, Dutch music’s most prestigious prize. The second volume of Baroque Music from Bolivian Missions was nominated for a 2008 bbc Music Magazine award, and bbc Music Magazine selected volume 3 as Disc of the Month for April 2010. A disc of music by Pergolesi was released in May 2010 and was bbc Music Magazine’s cd choice in the vocal category in July 2010. Future recordings include Florilegium’s arrangements of Bach’s Organ Trio Sonatas, and a recording of Couperin’s Les Nations.

Budapest Festival Orchestra

Ivan Fischer is founder and Music Director of the Budapest Festival Orchestra. The partnership between Iván Fischer and his Budapest Festival Orchestra has proved to be one of the greatest success stories in the past three decades of classical music. Intense international touring and a series of acclaimed recordings for Philips Classics, later for Channel Classics have contributed to Iván Fischer's reputation as one of the world's most visionary and successful orchestra leaders.

He has developed and introduced new types of concerts, "Cocoa-Concerts” for young children, "Midnight Music” concerts for students, "Surprise” concerts where the programme is not announced, "One Forint Concerts” where he talks to the audience, open-air concerts in Budapest attracting tens of thousands of people. He has founded several festivals, including a summer festival in Budapest on baroque music and the Budapest Mahlerfest which is also a forum for commissioning and presenting new compositions.

As a guest conductor Fischer works with the finest symphony orchestras of the world. He has been invited to the Berlin Philharmonic more than ten times, he leads every year two weeks of programs with the Royal Concertgebouw Orchestra, and appears with leading US symphony orchestras, including the New York Philharmonic and the Cleveland Orchestra.

Earlier music director of Kent Opera and Lyon Opera, Principal Conductor of National Symphony Orchestra in Washington DC, his numerous recordings have won several prestigious international prizes.

Ivan Fischer studied piano, violin, cello and composition in Budapest, continuing his education in Vienna in Professor Hans Swarowsky’s conducting class. Recently he has been also active as a composer: his works have been performed in the US, Holland, Hungary, Germany and Austria, and he staged successful opera performances.

Mr. Fischer is a founder of the Hungarian Mahler Society, and Patron of the British Kodály Academy. He received the Golden Medal Award from the President of the Republic of Hungary, and the Crystal Award from the World Economic Forum for his services to help international cultural relations. The French Government named him Chevalier des Arts et des Lettres. In 2006 he was honored with the Kossuth Prize, Hungary’s most prestigious arts award. He is honorary citizen of Budapest. In 2011 he received the Royal Philharmonic Award and the Dutch Ovatie prize. In 2013 he was awarded Honorary Membership of the Royal Academy of Music in London.

As of August 2011 Ivan Fischer is music director of the Konzerthaus Berlin and principal conductor of the Konzerthausorchester Berlin.

Amsterdam Sinfonietta

Amsterdam Sinfonietta is an ensemble of 22 gifted musicians who perform under the direction of Candida Thompson, artistic director|lead violin since 2003. The ensemble’s defining feature is the strong involvement and artistic drive of each individual member. The group has gained a reputation for distinguished, performances and innovative programming, often featuring surprising combinations of works. It collaborates with renowned artists and performs in major venues around throughout the world.

Founded in 1988 Amsterdam Sinfonietta is a highly respected ensemble with strong roots in the Dutch cultural scene. Every season it presents a series of concerts in the major concert halls of the The Netherlands. The orchestra boasts a young and loyal audience. Amsterdam Sinfonietta performs ingenious programmes featuring well-known repertoire combined with commissions, new arrangements or rarely performed works. Recent commissions include world premières of compositions by Sofia Gubaidulina, HK Gruber, Michel van der Aa and P?teris Vasks. Over the past seasons Amsterdam Sinfonietta has initiated and recorded new arrangements of various chamber music works. These include works by Beethoven, Brahms, Mahler, Schulhoff, Haas, Shostakovich and Berg.

Amsterdam Sinfonietta enjoys intensive collaborations with pre-eminent musicians. Guest artists such as Janine Jansen, David Fray, Jean-Guihen Queyras, Barbara Hannigan, Maxim Vengerov, Thomas Hampson, Sergey Khachatryan, Christianne Stotijn, Håkan Hardenberger, Martin Fröst, Julian Rachlin, Sol Gabetta, James Gilchrist, Natalia Gutman and Isabelle van Keulen have made return appearances with the orchestra.

Recently the ensemble toured China performing concerts with cellist Pieter Wispelwey. The group also performed spectacular performances with solo cellist Sol Gabetta at the Barbican in London, the Philharmonie in Luxemburg, Bozar in Brussels, the Musikhalle in Hamburg and the Konserthuset in Stockholm. The latest tour through Germany and Belgium with the French pianist David Fray was a resouding success culminating in ecstatic reviews. Following concerts in Berlin, Cologne, Frankfurt and Düsseldorf and the Frankfurter Rundschau wrote: ’For the chamber orchestra Amsterdam Sinfonietta, performing under the direction of Candida Thompson, the keyword is alertness. The 22 string players […] communicate with each other in a state of heightened awareness. Each player listens attentively to the others, to the counter lines and tonal colours. […] The result sounded fresh and modern – simply brilliant.’ The group has been a guest at many international festivals including the Adelaide Festival, Gergiev Festival, Schleswig Holstein Festival and La Roque d’Antheron and also appears regularly at the Holland Festival and in the Robeco Summer Series and Carte Blanche Series in the Amsterdam Concertgebouw.

Every year the ensemble shows its versatility with a New Year’s programme that transcends the bounds of a conventional concert. This New Year’s programme has become a tradition attracting new and diverse audiences in many national venues. Joining forces with artists such as Bobby McFerrin, Roby Lakatos, and Chick Corea has resulted in intriguing on-stage chemistry and compelling concerts. The orchestra also participates in multidisciplinary projects. Together with the Dutch-Italian choreographers Emio Greco & PC, the ensemble presented a theatrical production featuring a contemporary collage of Bach’s St Matthew Passion. Amsterdam Sinfonietta has also worked with the actor Jeroen Willems and stage director Pierre Audi in a programme centred on Alban Berg’s Lyric Suite. Upcoming projects include a Dessner-Greenwood double portrait featuring recent compositions by Jonny Greenwood of Radiohead fame and Bryce and Aaron Dessner from the successful rock band The National. Other future projects include collaborations with the violinist Patricia Kopatchinskaja, baritone Thomas Hampson and clarinettist Martin Fröst and tours of Germany, Russia and China.

Rachel Podger

Rachel Podger is one of the most creative talents to emerge in the field of period performance. Over the last two decades she has established herself as a leading interpreter of the music of the Baroque and Classical periods. She was educated inGermany and in England at the Guildhall School of Music and Drama, where she studied with David Takeno and Micaela Comberti. After beginnings with The Palladian Ensemble and Florilegium, she was leader ofThe English Concert from 1997 to 2002 and in 2004 began a guest directorship with The Orchestra of the Age of Enlightenment with whom she appeared in a televised bbc Prom in 2007.

As a guest director and soloist she has collaborated with numerous orchestras including Arte dei Suonatori (Poland), Musica Angelica and Santa Fe ProMusica (usa), The Academy of Ancient Music, The European Union BaroqueOrchestra, Holland Baroque Society, the Handel and Haydn Society (usa), Philharmonia Baroque Orchestra (usa). Rachel has toured and recorded extensively with fortepianist Gary Cooper. Rachel records exclusively for Channel Classics and has won numerous prestigious awards including the Baroque Instrumental Gramophone Award for La Stravaganza in2003 and the Diapason d’Or de l’année in the Baroque Ensemble category for the LaCetra Vivaldi concertos with Holland Baroque Society in 2012.

Rachel directs her own ensemble, Brecon Baroque, with whom she has recorded Bach’s Violin Concertos, released in October 2010 to outstanding reviews. She is also Artistic Director of her own festival: the Brecon Baroque Festival. Rachel is an honorary member of both the Royal Academy of Music (where she holds the Michaela Comberti Chair for Baroque Violin) and the Royal Welsh College of Music and Drama (where she holds the Jane Hodge Foundation International Chair in Baroque Violin) and teaches at institutions throughout the world.

The Netherlands Bach Society

Founded in 1921, The Netherlands Bach Society is the oldest Early Music ensemble in the Netherlands, and possibly in the whole world. Yet along with the musicians, its artistic director Jos van Veldhoven is still continually in search of contemporary ways of presenting this music, whether it be the traditional performances of the St. Matthew Passion in Naarden, other works by Johann Sebastian Bach (1685-1750) or music by his predecessors, successors, contemporaries and fellow spirits.

The programmes are often compiled in an original way and thus give a refreshing view of the various musical styles from Schütz/Monteverdi to Haydn/Mozart, as well as of the central composer Bach himself. The flexibility of the ensemble makes it possible to perform works from the secular and sacred repertoires in a great variety of combinations of musicians. In the concerts, top priority is given to beauty, emotion, quality and authentic experience.

For a long time now, the activities of The Netherlands Bach Society have not been restricted to Naarden or Het Gooi, in the Netherlands. They are attracting growing national and international attention from large concert halls and important music festivals, and the ensemble increasingly plays the honourable role of cultural ambassador.

Besides working with principal conductor Jos van Veldhoven, The Netherlands Bach Society also performs with leading early music specialists from the Netherlands and abroad, such as Rinaldo Alessandrini, Peter Dijkstra, Richard Egarr, Gustav Leonhardt, Paul McCreesh, Lars Ulrik Mortensen and Masaaki Suzuki.

In order to reinforce the authentic experience, the concerts are supported where necessary by fringe programming, including introductions, workshops, exhibitions and book publications. Further emphasis is provided by the educational projects, which have also received several awards (e.g. Euro Media Award and the Classical Music Award from the Dutch Association of Theatres and Concert Halls (VSCD)).

The Netherlands Bach Society and Jos van Veldhoven have recorded several CDs for Channel Classics, including the Great Organ Mass with the organist Leo van Doeselaar and Bach's St. Matthew Passion. Illustrated editions of the Christmas Oratorio, the St. John Passion and the Mass in B minor have been published in collaboration with Museum Catharijneconvent.

Ivan Fischer

Ivan Fischer is founder and Music Director of the Budapest Festival Orchestra. The partnership between Iván Fischer and his Budapest Festival Orchestra has proved to be one of the greatest success stories in the past three decades of classical music. Intense international touring and a series of acclaimed recordings for Philips Classics, later for Channel Classics have contributed to Iván Fischer's reputation as one of the world's most visionary and successful orchestra leaders.

He has developed and introduced new types of concerts, "cocoa-concerts" for young children, "Midnight Music" concerts for students, "surprise" concerts where the programme is not announced, "one forint concerts" where he talks to the audience, open-air concerts in Budapest attracting tens of thousands of people. He has founded several festivals, including a summer festival in Budapest on baroque music and the Budapest Mahlerfest which is also a forum for commissioning and presenting new compositions.

As a guest conductor Fischer works with the finest symphony orchestras of the world. He has been invited to the Berlin Philharmonic more than ten times, he leads every year two weeks of programs with the Royal Concertgebouw Orchestra, and appears with leading US symphony orchestras, including the New York Philharmonic and the Cleveland Orchestra.

Earlier music director of Kent Opera and Lyon Opera, Principal Conductor of National Symphony Orchestra in Washington DC, his numerous recordings have won several prestigious international prizes.

Ivan Fischer studied piano, violin, cello and composition in Budapest, continuing his education in Vienna in Professor Hans Swarowsky’s conducting class. Recently he has been also active as a composer: his works have been performed in the US, Holland, Hungary, Germany and Austria, and he staged successful opera performances.

Mr. Fischer is a founder of the Hungarian Mahler Society, and Patron of the British Kodály Academy. He received the Golden Medal Award from the President of the Republic of Hungary, and the Crystal Award from the World Economic Forum for his services to help international cultural relations. The French Government named him Chevalier des Arts et des Lettres. In 2006 he was honored with the Kossuth Prize, Hungary’s most prestigious arts award. He is honorary citizen of Budapest. In 2011 he received the Royal Philharmonic Award and the Dutch Ovatie prize. In 2013 he was awarded Honorary Membership of the Royal Academy of Music in London.

As of August 2011 Ivan Fischer is music director of the Konzerthaus Berlin and principal conductor of the Konzerthausorchester Berlin.

Jos Van Veldhoven

Jos van Veldhoven studied musicology at Utrecht University, and choral and orchestral conducting at the Royal Conservatory in TheHague. He has been artistic director of TheNetherlands Bach Society since 1983, in which capacity he regularly directs performances at home and abroad of the major works of JohannSebastian Bach, his predecessors and contemporaries.Van Veldhoven also directs the UtrechtsBarok Consort, which he founded in 1976. With these ensembles he has made a great number of national and international radio, tv and cd The Netherlands Bach Society recordings, and has appeared in festivals in theNetherlands, Europe, the United States and Japan.Jos van Veldhoven is a frequent guest conductor with Dutch and foreign orchestras, including DasOrchester der Beethovenhalle Bonn, The TokyoPhilharmonic Orchestra, the Robert Schumann Philharmonie, the Essener Philharmoniker, theBrabant Orchestra and the Limburg SymphonyOrchestra. Since 2001 he has collaborated with director Dietrich Hilsdorf on a cycle of stage dHandel oratorios at the opera houses of Bonn,Chemnitz and Essen.Jos van Veldhoven has attracted frequent attention with performances of newly discovered repertoire within the realm of early music, including noteworthy performances of oratorios by Telemann and Graun, Vespers by Gastoldi,reconstructions of Bach’s St Mark Passion, theso-called Köthener Trauer-Music and many unknown seventeenth-century dialogues. VanVeldhoven has conducted many contemporary premieres of Baroque operas by composers including Mattheson, Keiser, Andrea, Bononcini,Legrenzi, Conti and Scarlatti.Jos van Veldhoven is professor of choral conducting at the Amsterdam Conservatory and theRoyal Conservatory in The Hague. In 2007 he was appointed Knight of the Order of the NetherlandsLion for his pioneering services to early music.

The Gents

The Gents is a unique, all-male Dutch vocal ensemble which, in a very short period, obtained a prominent position on the international music scene. This group of young singers is praised for its characteristic sound, its flexibility, and its unequalled interpretation of a very divergent vocal repertoire. The Gents have their roots in The Roden Boys' Choir, considered one of the Netherlands' top boys' choirs, and inherited its quality and professionalism. Conductor Peter Dijkstra founded the group in 1999. He was the artistic leader / conductor of the ensemble until 2007 and is now its first guest-conductor. As from August 2008, Béni Csillag is the conductor of the ensemble. Regardless of the music they perform - be it religious music from the Renaissance, romantic English music, contemporary jazz arrangements, pop songs, or works that have been specifically composed for the ensemble - the concerts of The Gents are always an extraordinary experience. As a result, they can count on an enthusiastic audience and good reviews in the press. The Gents have also acquired an international reputation. They have performed in Japan, Canada, France, Italy, Germany, Sweden, Belgium, the United Kingdom, and Spain. In April 2005, The Gents made their first concert tour in Japan. At the invitation of the Dutch Ministry of Foreign Affairs in Japan, they performed at the World Expo in Aichi in front of an audience of 5000 people, including Dutch and Japanese royals. Its overwhelming success made the Gents decide to make a second Japan tour in 2006.

Lavinia Meijer

Lavinia Meijer (born in South-Korea, 1983 and adopted into a Dutch family) started to play the harp at the age of 9. Within two years she was admissioned to study at the young talent class of the conservatory of Utrecht (Bachelor) and later at the conservatory of Amsterdam (Master). At both conservatories she graduated with Honours. Erika Waardenburg has been Lavinia’s principal teacher.

Her success at the conservatory of Amsterdam was a prelude on Lavinia’s career to come. She performed only contemporary compositions at her graduation concert, making a firm statement already: Lavinia is here to add new chapters to the history of music.

Besides performing the classic harp repertoire, Lavinia also experiments with electronic music, theatrical music, contemporary music, modern classics, jazz and pop. Several composers e.g. Paul Patterson (UK), Garrett Byrnes, and Jacob TV (Netherlands) have dedicated new compositions to her.

Already at a young age, Lavinia competed in several international harp competitions, winning prizes in the USA, France, Switserland, Israel, and Austria. Soon after her graduation Lavinia received the Borletti-Buitoni Trust Fellowship (London, 2006). In 2007 Lavinia was heralded as the “Rising Star” musician of her generation. She performed solo-recitals at concert halls like Musikverein (Vienna), Carnegie Hall (New York), Philharmonie (Köln), Jerusalem Theater, Seoul Arts Center, Royal Concertgebouw (Amsterdam), Cité-de-la-Musique (Paris), Konzerthus (Stockholm), and Symphony Hall (Birmingham, UK).

In 2009, at the young age of 26, Lavinia received the highest distinction for a classical musician in the Netherlands: the Dutch Music Prize. In 2011 she was the recipient of an Edison Award for her album Fantasies & Impromptus

As a featured soloist, Lavinia performed harp concertos with renowned orchestras, such as Royal Concertgebouw Chamber Orchestra Amsterdam, Israel Philharmonics, Amsterdam Sinfonietta, Noord Nederlands Orkest, and Seoul Philharmonic Orchestra. She performed with conductors such as Thierry Fischer, Frans Brüggen, Hannu Lintu, Thomas Ades and Marco Boni.

Her broad interest to find new sounds on and new compositions for the harp has let her to meet the American composer Philip Glass in 2011. He invited her to his concert in Amsterdam where she performed his Metamorphosis I-V on the harp. “You are the special effect of this evening”, he told Lavinia after the show, and he supported Lavinia to record a full album of Glass’ compostions. The result was overwhelming. Metamorphosis/The Hours received mostly 5 star reviews (not just in the Dutch press), and reached the certified Platinum status within half a year.

Haags Saxophone Quartet

The Haags Saxophone Quartet (formerly Python Saxophone Quartet) is an idiosyncratic ensemble with its own unique style. Since its creation in 1998 the ensemble specialized in contemporary chamber music.The ambitious musicians work closely together with young composers to get to the heart of the ensemble’s sound spectrum.They also work together with other musicians, actors and dancers.

Peter Dijkstra

Peter Dijkstra,born in the Netherlands in1978,is one of the leading choral conductors of our time.He comes from a musical family,and as a boy soprano he was in demand as a soloist, for example in opera productions such as Die Zauberflöte with The Netherlands Opera.He studie dchoral and orchestral conducting and voice at the conservatories of The Hague,Cologne and Stockholm,and graduated with honours.Peter Dijkstra was awarded the Kersjes-Van de Groene kam Prize for orchestral conductors in2002,and when he went on to win the Eric Ericson Award 2003 in Stockholm his international career was launched.He now works regularly with choirs such as The Netherlands Chamber Choir,bbc Singers, rias Chamber Choir Berlin,CollegiumVocale Gent and The Danish Radio Choir.Dijkstra is in command of a broad repertoire ranging from early music to premiers of newly composed works.But he is also a welcome guest conductor with orchestras like the SymphonyOrchestra of the Bavarian Radio,Munich RadioOrchestra, dso Berlin,Sinfonietta Amsterdam,Arnhem Philharmonic Orchestra and the JapanPhilharmonic.He also enjoys working with period instrument orchestras such as the Akademiefu?r Alte Musik Berlin and Concerto Köln. In 2005,Peter Dijkstra was appointed artistic director of the Choir of the Bavarian Radio inMunich,where he collaborates with conductors including Mariss Jansons,Nikolaus Harnoncourt,Riccardo Muti and Claudio Abbado. 

Rick Stotijn

Rick Stotijn received his first lessons at the age of eight, studied at the Conservatory in Amsterdam with his father Peter Stotijn where he graduated with the highest distinction. Later on he studied with Bozo Paradzik at the Hochschule in Freiburg. Rick won several first prizes at a.o the Princess Christina Competition, the Young Musical Talent Foundation and in 2013 the Netherlands Music Prize, which is the highest Dutch Music Award for young and talented musicians.

Many solo appearances at home and abroad were soon to follow including a Carte Blanche series in the small hall of the Concert gebouw Amsterdam. Rick Stotijn performs regularly as soloist with Orchestra’s such as the Swedish Radio Symphony Orchestra, Amsterdam Sinfonietta, Rotterdam Chamber Orchestra and the Arnhem Philharmonic Orchestra. Moreover he is very much in demand for chamber music concerts, performing with Janine Jansen, Jurgen Kussmaul, Gidon Kremer, Christianne Stotijn, Liza Ferschtman, Robert Holl, Mischa Maisky, Bram van Sambeek, Julius Drake, Candida Thompson and many others.

Rick is a regular guest at festivals such as the Lucerne Festival, Delft Chamber Music Festival and the International Chamber Music Festival of Janine Jansen in Utrecht.

Jasper de Waal

Jasper de Waal

Jasper de Waal is not only known as the beloved principle horn of the Royal Concertgebouw Orchestra, he is also a world class soloist, giving masterclasses and playing solo concertos and recitals around the world. He received his first instrumental lessons from his father. After winning various regional music competitions, he studied at theBrabant Conservatory with Herman Jeurissen, graduating in 1988. He continued his education at the Royal Conservatory in The Hague, with Vicente Zarzo and received hisPerformance Degree in 1990. Soon after he became principle horn of the Residentie Orchestra The Hague. From 2004 until April2012 Jasper de Waal has been principle horn of the Royal Concertgebouw OrchestraJasper de Waal has performed as a soloist with the Royal Concertgebouw Orchestra,Edinburgh Chamber Orchestra, The HaguePhilharmonic, Concertgebouw ChamberOrchestra, Potsdammer Philharmonie with conductors such as Jevgeni Svetlanov, Jaap van Zweden, Alexandru Lascae, George Pehlivanian. Jasper de Waal’s first CD forChannel Classics, with horn concertos byJoseph and Michael Haydn with theConcertgebouw Chamber Orchestra, was extremely well received. As a guest teacher,Jasper de Waal is affiliated with theConservatory of Amsterdam, the RoyalConservatory in The Hague and the Fontyn Academy in Tilburg. He also taught in maste rclasses at the Guildhall School of Music, theConservatory of Amsterdam and Fundácion Excelentia in Madrid.•

Wim Van Hasselt

Wim Van Hasselt is a member of the trumpet section of the Royal Concertgebouw Orchestra Amsterdam. He is professor of trumpet at the University of Music Freiburg and regulary gives recitals and masterclasses at home and abroad (Europe, N-America and Japan). He’s also an active chamber musician in different ensembles and has appeared at the festivals of Lucerne, Bad Kissingen and Schleswig Holstein among many others.

Wim Van Hasselt was born in Turnhout, Belgium. He studied at the Hochschule für Musik in Karlsruhe (Germany) with Prof. Reinhold Friedrich and Prof. Dr. Edward H. Tarr (baroque trumpet). He also attended lessons and masterclasses given by Ole Edvard Antonsen, Prof. Klaus Schuhwerk, Markus Stockhausen and Philip Smith.

After taking part in the orchestra academies of the Deutsche Oper Berlin and the State Opera Stuttgart he had a trumpet position with the Radio Symphony Orchestra Berlin, from 2005 to 2009. In addition to the Royal Concertgebouw Orchestra he has played with the Berlin Philharmonic and the Lucerne Festival Orchestra.

His first solo CD “On the Road” was released on the Channel Classics label, showing his versatility and feeling for style in an impressive manner. It includes a couple of works that have been composed especially for this CD. The project was awarded the “Prix de Salon” 2010 of the Foundation Donateurs Royal Concertgebouw Orchestra.

Swedish Radio Choir

The Swedish Radio Choir is a professional classical choir. It is funded by Sveriges Radio, the public radio broadcasting company of Sweden. The choir consists of 32 singers, currently led by conductor Peter Dijkstra. Since 1979 it has been based at the Berwaldhallen in Stockholm.

Johannette Zomer

After several years as a microbiologist, Dutch SopranoJohannette Zomer trained at the Sweelink Conservatorium,Amsterdam with Charles van Tassel. She currently studieswith Diane Forlano.Johannette made her opera debut as Tebaldo in Don Carlowith the Nationale Reisopera and has gone on to sing Belinda– Dido & Aeneas, La Musica & Euridice – L’Orfeo,Gassman’s Opera – Seria, Dalinda – Ariodante, Ilia – Idomeneo,Pamina – Die Zauberflöte and Amanda – Le GrandeMacabre for the company. She has also sung Oberto in Alcinaat the Komische Oper. On the concert platform she has aenviable reputation as a baroque specialist working with manyof the top conductors in the field such as Ton Koopman,Frans Bru?ggen, René Jacobs, Reinhardt Goebel and PaulMcCreesh as well as collaborating for 20th century and contemporaryrepertoire with Kent Nagano, Daniel Harding,Valery Gergiev, Reinbert de Leeuw and Peter Eötvös. Herrecent engagements have included Bach B Minor Mass with the Tonhalle Orchestra/Bru?ggen, and Euridice in Gluck’s Orfeo with the Bamberger Symfoniker/Christian Zacharias.She regularly gives recitals with fortepianist Arthur Schoonderwoerd with whom she has recordedSchubert Songs for Alpha Records and is a member of the early music ensembles Compania Vocale andAntequera with whom she sings Neapolitan and Spanish baroque repertoire and medieval Cantigas.Johannette’s recent and future plans include projects of Handel and Frank Martin with the RiasKammerchor/Daniel Reuss; Bach and Buxtehude with the Amsterdam Baroque Orchestra/Koopman,Handel with Collegium Vocale, Gent and Gluck and Buxtehude with The Netherlands Bach Soc

Holland Baroque

Free of fuss and convention, Holland Baroque Society takes to the stage with a variety of programmes. Baroque music is the key, but these musicians build bridges to other styles and arts. Balanced between tradition and renewal, they pursue the topicality of musical experience. In recent years Holland Baroque Society has collaborated with prominent Baroque musicians including Paolo Pandolfo, Quatuor Mosaïques, Emma Kirkby, Milos Valent and Hidemi Suzuki, and with composer Nico Muhly, singer and song- writer Teitur and jazz trumpeter Eric Vloeimans.

For this innovative approach the ensemble was awarded the Kersjes Prize and the VSCD Classical Music Prize in 2008, and more recently the Diapason d’Or 2012. It has brought Holland Baroque Society to all sorts of venues, from the Vienna Konzerthaus to the Amsterdam pop temple Paradiso, and from Vredenburg concert hall in Utrecht to the World Exhibition in Shanghai.

There are more projects under preparation, with Porgy Franssen, Marcus Creed, Giora Feidman, Amandine Beyer, Calefax Rietkwintet, Cappella Amsterdam, Orkater and Sergio Azzolini. Holland Baroque Society has invested just as much ambition and energy in countless Kids Only concerts and educational projects, through which thousands of children have made acquaintance with classical music. The aim is to give them a pure listening experience, and this produces pure reactions like “I’d never heard of those sunny instruments before.”

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Super Artists in Super Audio Vol. 9 (2017)

Vivaldi, Wagner, Couperin, Eben, Alfven, Bach, Piazzolla, Mozart, Gershwin, Glass, Britten, Bottesini, Stravinsky

Florilegium, Budapest Festival Orchestra, Amsterdam Sinfonietta, Rachel Podger, The Netherlands Bach Society, The Gents, Lavinia Meijer, Rick Stotijn, Jane Rogers, Wim Van Hasselt, Swedish Radio Choir, Christianne Stotijn, Holland Baroque

Cables:Van den Hul
Digital Converters:Grimm A/D
Editing Software:Pyramix
Mastering Engineer:Jared Sacks
Mastering Room:Grimm LS1
Microphones:Bruel & Kyear
Mixing Board:Rens Heijnis custom made
Producer:Jared Sacks, Hein Dekker, Jonathan Freeman Attwood
Recording Engineer:Jared Sacks
Recording Software:Merging
Recording Type & Bit Rate:64fs

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SEL6717: Super Artists in Super Audio Vol. 9
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Tracks
1.
La Cetra concerto no. 1- allegro
Vivaldi
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2.
Gotterdammerung - Siegfried's Funeral March
Wagner
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3.
Chaconne ou Passacaille
Couperin
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4.
Fantasia Vespertina for trumpet and piano
Eben
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5.
Aftonen
Alfven
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6.
Saint Matthew Passion - Erbarme dich
Bach
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7.
The four Seasons - Autumn
Piazzolla
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8.
Duo Sonatas - Andante cantabile
Mozart
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9.
It Ain't Necessarily So
Gershwin
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10.
Metamorphosis Five - Moderato
Glass
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11.
Magnificat anima mea Dominum
Bach
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12.
Excelsus super omnes - Laudata Pueri
Vivaldi
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13.
Serenade opus 31 - Nocturne
Britten
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14.
Une Bouche Aimee
Bottesini
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15.
Rite of Spring - Sacrificial Dance
Stravinsky
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