Super Artists in Super Audio Vol. 2 (2004)

Bach, Shostakovich, Tunder, Haydn, Tchaikovsky, Cano, Rossini, Rossi, Piazzolla, Rachmaninov

The Netherlands Bach Society, Katona Twins, Amsterdam Loeki Stardust Quartet, Johannette Zomer, Paolo Giacometti, Budapest Festival Orchestra, New Century Saxophone Quartet, Pieter Wispelwey, The Gents, Amsterdam Sinfonietta, Dejan Lazic, Florilegium

Jos Van Veldhoven, Ivan Fischer

With almost 4 years of Super Audio recordings enhancing our catalogue, we at Channel are convinced that this revolutionary new technology represents the final chapter in the search for natural and realistic sound production. With a good multi speaker setup the listener can enjoy concert hall acoustics in the comfort of their own home. What’s the difference? Digital camera images are composed of tiny dots or "pixels" which combine to reproduce the actual image. The more pixels, the sharper the image. This same technology applies to Super Audio recording with the digital sound being produced 64 times greater than conventional recordings. The secret lies in the converters which directly process the incoming sounds which have the patented name called Direct Stream Digital (DSD). Older recordings can be re-mastered using the new techniques but the difference between a reissue and a 100% Super Audio recording will be obvious to even the novice listener. Channel’s Hybrid CD’s simply means that the new technology has been added or ‘glued’ to the normal CD layer which can be played on a conventional CD player as well as a Super Audio Player.`

There is no multi- channel users manual to assist a record producer with set-up and microphone placement. Trial and error coupled with experience and intuition have been key words in attempting to achieve 5th row center acoustics. Actually this means recreating the emotional impact the music produces. Even in SACD stereo, the depth of sound, clarity of details is so clear that the emotional and sonic advantage of SACD is easily revealed. The number of excellent reviews Channel has received for quality of recording leads us to believe that we are pursuing the right direction.

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Jos Van Veldhoven

Jos van Veldhoven studied musicology at Utrecht University, and choral and orchestral conducting at the Royal Conservatory in TheHague. He has been artistic director of TheNetherlands Bach Society since 1983, in which capacity he regularly directs performances at home and abroad of the major works of JohannSebastian Bach, his predecessors and contemporaries.Van Veldhoven also directs the UtrechtsBarok Consort, which he founded in 1976. With these ensembles he has made a great number of national and international radio, tv and cd The Netherlands Bach Society recordings, and has appeared in festivals in theNetherlands, Europe, the United States and Japan.Jos van Veldhoven is a frequent guest conductor with Dutch and foreign orchestras, including DasOrchester der Beethovenhalle Bonn, The TokyoPhilharmonic Orchestra, the Robert Schumann Philharmonie, the Essener Philharmoniker, theBrabant Orchestra and the Limburg SymphonyOrchestra. Since 2001 he has collaborated with director Dietrich Hilsdorf on a cycle of stage dHandel oratorios at the opera houses of Bonn,Chemnitz and Essen.Jos van Veldhoven has attracted frequent attention with performances of newly discovered repertoire within the realm of early music, including noteworthy performances of oratorios by Telemann and Graun, Vespers by Gastoldi,reconstructions of Bach’s St Mark Passion, theso-called Köthener Trauer-Music and many unknown seventeenth-century dialogues. VanVeldhoven has conducted many contemporary premieres of Baroque operas by composers including Mattheson, Keiser, Andrea, Bononcini,Legrenzi, Conti and Scarlatti.Jos van Veldhoven is professor of choral conducting at the Amsterdam Conservatory and theRoyal Conservatory in The Hague. In 2007 he was appointed Knight of the Order of the NetherlandsLion for his pioneering services to early music.

The Netherlands Bach Society

Founded in 1921, The Netherlands Bach Society is the oldest Early Music ensemble in the Netherlands, and possibly in the whole world. Yet along with the musicians, its artistic director Jos van Veldhoven is still continually in search of contemporary ways of presenting this music, whether it be the traditional performances of the St. Matthew Passion in Naarden, other works by Johann Sebastian Bach (1685-1750) or music by his predecessors, successors, contemporaries and fellow spirits.

The programmes are often compiled in an original way and thus give a refreshing view of the various musical styles from Schütz/Monteverdi to Haydn/Mozart, as well as of the central composer Bach himself. The flexibility of the ensemble makes it possible to perform works from the secular and sacred repertoires in a great variety of combinations of musicians. In the concerts, top priority is given to beauty, emotion, quality and authentic experience.

For a long time now, the activities of The Netherlands Bach Society have not been restricted to Naarden or Het Gooi, in the Netherlands. They are attracting growing national and international attention from large concert halls and important music festivals, and the ensemble increasingly plays the honourable role of cultural ambassador.

Besides working with principal conductor Jos van Veldhoven, The Netherlands Bach Society also performs with leading early music specialists from the Netherlands and abroad, such as Rinaldo Alessandrini, Peter Dijkstra, Richard Egarr, Gustav Leonhardt, Paul McCreesh, Lars Ulrik Mortensen and Masaaki Suzuki.

In order to reinforce the authentic experience, the concerts are supported where necessary by fringe programming, including introductions, workshops, exhibitions and book publications. Further emphasis is provided by the educational projects, which have also received several awards (e.g. Euro Media Award and the Classical Music Award from the Dutch Association of Theatres and Concert Halls (VSCD)).

The Netherlands Bach Society and Jos van Veldhoven have recorded several CDs for Channel Classics, including the Great Organ Mass with the organist Leo van Doeselaar and Bach's St. Matthew Passion. Illustrated editions of the Christmas Oratorio, the St. John Passion and the Mass in B minor have been published in collaboration with Museum Catharijneconvent.

Katona Twins

Critically acclaimed by the Daily Telegraph as “the classical world’s best known guitar duo”, Peter and Zoltán Katona effortlessly transfer from strictly classical, into more popular musical genres. They have given recitals in the major concert venues throughout the world including performances at the Carnegie Hall, the Wigmore Hall, the Concertgebouw in Amsterdam, the Konzerthaus in Vienna, the Suntory Hall in Tokyo, and the Philharmonie in Cologne.

In 2009, as the soloists of the “Night of the Proms” they performed live to half a million people in arenas across Europe. The twins have won over ten international prizes at major competitions in New York, London, Germany, France and Hungary. They were resident Artists of San Francisco Performances from 2007-2011. 

The wide repertoire of the duo spans from Bach to Piazzolla’s tango musicand their own arrangements of pop classics. Their programmes also include concertos for two guitars and orchestra by Rodrigo, Vivaldi, Piazzolla and Tedesco. Several contemporary composers have written for and dedicated works to the Katona Twins. The duo studied in Budapest, Frankfurt and in London. The Katona Twins have been invited on numerous occasions to record for the BBC and other international television and radio stations. They played together with renowned musicians such as Yo-Yo Ma and world class ensembles such as the BBC Concert Orchestra and the London Sinfonietta.

Amsterdam Loeki Stardust Quartet

Since its formation the Amsterdam Loeki Stardust Quartet has explored the boundaries of the recorder consort. Its musical adventure started in 1978 when studying at the Sweelinck conservatory in Amsterdam and discovering the quartet as a new phenomenon. The ensemble's reputation grew quickly when they emerged as the winner of the 1981 Musica Antigua Competition in Bruges despite testing the competition rules by performing an unusual arrangement of a Stevie Wonder song.

What followed was the recognition as a serious ensemble of unparalleled virtuosity, a recording contract with Decca and the start of an international career. Both their playing style and choice of repertoire, something unheard of at the time, made them appear at many festivals and they toured throughout Europe the United States, South America and Japan. Their unusual name refers to a melody played on their very first rehearsal. It expresses affection for unusual repertoire in addition to the classic consort music of the Renaissance and Baroque periods.

A number of composers have been inspired to write for the Quartet, which has helped create a new repertoire that proves the instrument to be an important voice of our time. Graham Fitkin, Tristan Keuris, Chiel Meijering, Peter Jan Wagemans, Philip Wharton en Lera Auerbach are amongst the many composers who wrote for the quartet. The Quartet also contributes to the expansion of the recorder repertoire by publishing a series of new recorder music and through the collaboration with recorder makers. The Boston based instrument maker Friedrich von Huene designed a fully keyed bass and contrabass recorder allowing the group amongst others to perform and record Bach’s Art of Fugue. The group has assembled a unique collection of over a hundred Renaissance, Baroque and modern recorders, ranging from an 8-inch sopranino to a sub-contrabass measuring over nine feet. The quartet’s recordings (for L'Oiseau-Lyre, Decca and Channel Classics) have confirmed its reputation as the world's most innovative and exciting recorder consort.

Johannette Zomer

After several years as a microbiologist, Dutch SopranoJohannette Zomer trained at the Sweelink Conservatorium,Amsterdam with Charles van Tassel. She currently studieswith Diane Forlano.Johannette made her opera debut as Tebaldo in Don Carlowith the Nationale Reisopera and has gone on to sing Belinda– Dido & Aeneas, La Musica & Euridice – L’Orfeo,Gassman’s Opera – Seria, Dalinda – Ariodante, Ilia – Idomeneo,Pamina – Die Zauberflöte and Amanda – Le GrandeMacabre for the company. She has also sung Oberto in Alcinaat the Komische Oper. On the concert platform she has aenviable reputation as a baroque specialist working with manyof the top conductors in the field such as Ton Koopman,Frans Bru?ggen, René Jacobs, Reinhardt Goebel and PaulMcCreesh as well as collaborating for 20th century and contemporaryrepertoire with Kent Nagano, Daniel Harding,Valery Gergiev, Reinbert de Leeuw and Peter Eötvös. Herrecent engagements have included Bach B Minor Mass with the Tonhalle Orchestra/Bru?ggen, and Euridice in Gluck’s Orfeo with the Bamberger Symfoniker/Christian Zacharias.She regularly gives recitals with fortepianist Arthur Schoonderwoerd with whom she has recordedSchubert Songs for Alpha Records and is a member of the early music ensembles Compania Vocale andAntequera with whom she sings Neapolitan and Spanish baroque repertoire and medieval Cantigas.Johannette’s recent and future plans include projects of Handel and Frank Martin with the RiasKammerchor/Daniel Reuss; Bach and Buxtehude with the Amsterdam Baroque Orchestra/Koopman,Handel with Collegium Vocale, Gent and Gluck and Buxtehude with The Netherlands Bach Soc

Paolo Giacometti

Paolo Giacometti performs all over the world as a soloist and as a chamber musician, both on period and on modern instruments. He was born in Milan, Italy in 1970, but has been living in the Netherlands from his early childhood. He studied with Jan Wijn at the Sweelinck Conservatorium Amsterdam, where he graduated with the highest distinction. Also Gyorgy Sebök was an important source of inspiration and had a significant influence on his musical education. Paolo Giacometti has won many prizes at both national and international competitions. He has played with renowned orchestras under distinguished conductors such as Frans Brüggen, Kenneth Montgomery, Laurent Petitgirard, Michael Tilkin and Jaap van Zweden. Apart from his activities as a soloist, Paolo Giacometti’s love for chamber music has resulted in a successful co-operation with leading musicians such as Pieter Wispelwey, Gordon Nikolich, Alois Brandhofer, Janine Jansen, Bart Schneemann and Viktoria Mullova. Paolo Giacometti is a much sought-after musician at chamber music festivals in Europe, Canada and the United States. He has performed in concert halls all over the world including the Concertgebouw (Amsterdam), Teatro Colon (Buenos Aires), Wigmore Hall (London), Théâtre du Châtelet (Paris) and Seoul Arts Centre (South Korea). Paolo Giacometti records exclusively for Channel Classics. His impressive discography has been widely acclaimed by the international press. His recordings include Rossini’s complete piano works, a remarkable project that started in 1998 and was completed in 2007. In Rossini’s homeland critics say: "... Rossini has finally found his pianist ...". For the third recording of this series Giacometti was distinguished with the Edison Classical Music Award 2001. His recording of Schumann’s Humoreske, Fantasiestücke and Toccata has received the BBC Music Magazine’s Benchmark and Performance of Outstanding Quality distinctions. His recording of the Dvorák and Schumann piano concertos have been acclaimed by Gramophone as "... one of the best concerto disks I have heard in a long while ...".  Among Paolo Giacometti’s chamber music recordings, a recording with works by Schubert with cellist Pieter Wispelwey has received the Choc du Monde de la Musique and Luister 10 awards, while another recording with works by Chopin, Fauré and Poulenc, also with Pieter Wispelwey, has been awarded the Diapason d’or.  Paolo Giacometti is also a dedicated piano professor at the Robert Schumann Musikhochschule Düsseldorf.

Budapest Festival Orchestra

Ivan Fischer is founder and Music Director of the Budapest Festival Orchestra. The partnership between Iván Fischer and his Budapest Festival Orchestra has proved to be one of the greatest success stories in the past three decades of classical music. Intense international touring and a series of acclaimed recordings for Philips Classics, later for Channel Classics have contributed to Iván Fischer's reputation as one of the world's most visionary and successful orchestra leaders.

He has developed and introduced new types of concerts, "Cocoa-Concerts” for young children, "Midnight Music” concerts for students, "Surprise” concerts where the programme is not announced, "One Forint Concerts” where he talks to the audience, open-air concerts in Budapest attracting tens of thousands of people. He has founded several festivals, including a summer festival in Budapest on baroque music and the Budapest Mahlerfest which is also a forum for commissioning and presenting new compositions.

As a guest conductor Fischer works with the finest symphony orchestras of the world. He has been invited to the Berlin Philharmonic more than ten times, he leads every year two weeks of programs with the Royal Concertgebouw Orchestra, and appears with leading US symphony orchestras, including the New York Philharmonic and the Cleveland Orchestra.

Earlier music director of Kent Opera and Lyon Opera, Principal Conductor of National Symphony Orchestra in Washington DC, his numerous recordings have won several prestigious international prizes.

Ivan Fischer studied piano, violin, cello and composition in Budapest, continuing his education in Vienna in Professor Hans Swarowsky’s conducting class. Recently he has been also active as a composer: his works have been performed in the US, Holland, Hungary, Germany and Austria, and he staged successful opera performances.

Mr. Fischer is a founder of the Hungarian Mahler Society, and Patron of the British Kodály Academy. He received the Golden Medal Award from the President of the Republic of Hungary, and the Crystal Award from the World Economic Forum for his services to help international cultural relations. The French Government named him Chevalier des Arts et des Lettres. In 2006 he was honored with the Kossuth Prize, Hungary’s most prestigious arts award. He is honorary citizen of Budapest. In 2011 he received the Royal Philharmonic Award and the Dutch Ovatie prize. In 2013 he was awarded Honorary Membership of the Royal Academy of Music in London.

As of August 2011 Ivan Fischer is music director of the Konzerthaus Berlin and principal conductor of the Konzerthausorchester Berlin.

New Century Saxophone Quartet

The New Century Saxophone Quartet is a pioneering and versatile group winning new-found enthusiasm for its diverse repertory of innovative contemporary works and imaginative adaptations comprising an extraordinary range of musical styles. The only ensemble of its kind to win First Prize of the Concert Artists Guild Competition, the quartet is the recipient of grants from the National Endowment for the Arts, Chamber Music America, and the Aaron Copland Fund for Music, and in its home state from the North Carolina Arts Council. New Century has been heard in major concert venues and on radio and television throughout the Americas and Europe; in recordings for the Channel Classics label; and in unusual performance settings including two Command Performances for President Clinton at the White House, an appearance with the United States Navy Band, and a Chinese New Year broadcast seen by a television audience of over 300 million worldwide. Peter Schickele’s Concerto for Saxophone Quartet and Orchestra is among the ensemble’s numerous and widely-performed commissions and premieres, which also include works from Saturday Night Live bandleader Lenny Pickett, Bob Mintzer, Ben Johnston, David Ott, and Sherwood Shaffer. 7

Pieter Wispelwey

Pieter was born in Haarlem in the Netherlands in 1962 and grew up with his two younger brothers in Santpoort, where his parents still live. At the age of 19 he moved to Amsterdam and has remained in the same 17th century house on the Noordermarkt ever since. Pieter's diverse musical personality is rooted in the training he received-firstly from regular exposure from a very early age to his father's amateur string quartet when they rehearsed at the Wispelwey home, to lessons with Dicky Boeke and Anner Bylsma in Amsterdam followed by studies with Paul Katz in the USA and William Pleeth in the UK. It was also Dicky Boeke who encouraged him to listen to as much music as possible but particularly sowed the seeds for his love of Renaissance music (Italian and English madrigalists!) and German Lied. These genres, particularly the performances of Dietrich Fischer Diskau, have been a constant source of inspiration for Pieter. In 1990 his first recording with Channel Classics, The Bach Cello Suites, was released to great acclaim and in 1992 he was the first cellist ever to receive the Netherlands Music Prize, which is endowed upon the most promising young musician in the Netherlands; thus his path was secured to the busy and varied career he has today.

Pieter has always been at home on the modern cello with metal and/or gut strings as he is on the baroque 4 string and 5 string cello. Therefore he covers a repertoire from JS Bach to Elliott Carter drawing on a palett of sounds and colours available from his range of instruments, string set-ups and bows. Having grown up in an age and country where hearing period instruments was very much the norm for concert-goers, Pieter naturally developed his conviction that, in the right conditions, much 18th and 19th century music sounds far better on gut strings than on metal. However he is not a purist in the sense that if conditions are less than ideal (no fortepiano, too big a hall, too hot, too humid, too dry acoustically etc.) then he is more than happy to pick up his modern cello with metal strings (which therefor is quite often the case).

Recitals have always played a major part in Pieter's concert diary. As a recitalist with piano, he has all the main repertoire at his disposal which is always ready for performance, often at very short notice. He is not, and has never been, the type of soloist who tours the world with one or two recital programmes and a couple of concertos per season. On the contrary, a typical week in Pieter's life (if one can be said to exist) could well include the Bach suites, with perhaps 2 different recital programmes, a couple of concerto appearances with a student masterclass thrown in for good measure! He has appeared as recitalist all over the world including the Concertgebouw (Amsterdam), Wigmore Hall (London), Chatelet (Paris), Teatro Colon (Buenos Aires) and Sydney Opera House. Future exciting engagements include Bach and Britten suites at the Lincoln Centre, New York and a return visit to the Edinburgh Festival.

Pieter has appeared with a variety of orchestras and ensembles both with and without conductors. Notable projects without conductors have been the touring and recording of the Schumann and Shostakovich cello concertos with the Australian Chamber Orchestra. This orchestra has, without doubt, provided for Pieter the happiest and most satisfying musical collaborations of his career to date, not least due to the genius of leader and musical director, Richard Tognetti. He has also appeared, with conductor, with the Rotterdam Philharmonic Orchestra, the BBC symphony orchestra, the Russian National Symphony, Camerata Academica Salzburg, Mahler Chamber Orchestra and the Deutsche Kammerphilharmonie Bremen to name but a few and has recorded with the Netherlands Philharmonic Orchestra and the Netherlands Radio Philharmonic. Future engagements with orchestras include the Halle, the Japan Philharmonic, the Leipzig Gewandhaus Orchestra under Herbert Blomstedt and the Orchestra of the Age of Enlightenment under Marc Minkowsky.

The Gents

The Gents is a unique, all-male Dutch vocal ensemble which, in a very short period, obtained a prominent position on the international music scene. This group of young singers is praised for its characteristic sound, its flexibility, and its unequalled interpretation of a very divergent vocal repertoire. The Gents have their roots in The Roden Boys' Choir, considered one of the Netherlands' top boys' choirs, and inherited its quality and professionalism. Conductor Peter Dijkstra founded the group in 1999. He was the artistic leader / conductor of the ensemble until 2007 and is now its first guest-conductor. As from August 2008, Béni Csillag is the conductor of the ensemble. Regardless of the music they perform - be it religious music from the Renaissance, romantic English music, contemporary jazz arrangements, pop songs, or works that have been specifically composed for the ensemble - the concerts of The Gents are always an extraordinary experience. As a result, they can count on an enthusiastic audience and good reviews in the press. The Gents have also acquired an international reputation. They have performed in Japan, Canada, France, Italy, Germany, Sweden, Belgium, the United Kingdom, and Spain. In April 2005, The Gents made their first concert tour in Japan. At the invitation of the Dutch Ministry of Foreign Affairs in Japan, they performed at the World Expo in Aichi in front of an audience of 5000 people, including Dutch and Japanese royals. Its overwhelming success made the Gents decide to make a second Japan tour in 2006.

Amsterdam Sinfonietta

Amsterdam Sinfonietta is an ensemble of 22 gifted musicians who perform under the direction of Candida Thompson, artistic director|lead violin since 2003. The ensemble’s defining feature is the strong involvement and artistic drive of each individual member. The group has gained a reputation for distinguished, performances and innovative programming, often featuring surprising combinations of works. It collaborates with renowned artists and performs in major venues around throughout the world.

Founded in 1988 Amsterdam Sinfonietta is a highly respected ensemble with strong roots in the Dutch cultural scene. Every season it presents a series of concerts in the major concert halls of the The Netherlands. The orchestra boasts a young and loyal audience. Amsterdam Sinfonietta performs ingenious programmes featuring well-known repertoire combined with commissions, new arrangements or rarely performed works. Recent commissions include world premières of compositions by Sofia Gubaidulina, HK Gruber, Michel van der Aa and P?teris Vasks. Over the past seasons Amsterdam Sinfonietta has initiated and recorded new arrangements of various chamber music works. These include works by Beethoven, Brahms, Mahler, Schulhoff, Haas, Shostakovich and Berg.

Amsterdam Sinfonietta enjoys intensive collaborations with pre-eminent musicians. Guest artists such as Janine Jansen, David Fray, Jean-Guihen Queyras, Barbara Hannigan, Maxim Vengerov, Thomas Hampson, Sergey Khachatryan, Christianne Stotijn, Håkan Hardenberger, Martin Fröst, Julian Rachlin, Sol Gabetta, James Gilchrist, Natalia Gutman and Isabelle van Keulen have made return appearances with the orchestra.

Recently the ensemble toured China performing concerts with cellist Pieter Wispelwey. The group also performed spectacular performances with solo cellist Sol Gabetta at the Barbican in London, the Philharmonie in Luxemburg, Bozar in Brussels, the Musikhalle in Hamburg and the Konserthuset in Stockholm. The latest tour through Germany and Belgium with the French pianist David Fray was a resouding success culminating in ecstatic reviews. Following concerts in Berlin, Cologne, Frankfurt and Düsseldorf and the Frankfurter Rundschau wrote: ’For the chamber orchestra Amsterdam Sinfonietta, performing under the direction of Candida Thompson, the keyword is alertness. The 22 string players […] communicate with each other in a state of heightened awareness. Each player listens attentively to the others, to the counter lines and tonal colours. […] The result sounded fresh and modern – simply brilliant.’ The group has been a guest at many international festivals including the Adelaide Festival, Gergiev Festival, Schleswig Holstein Festival and La Roque d’Antheron and also appears regularly at the Holland Festival and in the Robeco Summer Series and Carte Blanche Series in the Amsterdam Concertgebouw.

Every year the ensemble shows its versatility with a New Year’s programme that transcends the bounds of a conventional concert. This New Year’s programme has become a tradition attracting new and diverse audiences in many national venues. Joining forces with artists such as Bobby McFerrin, Roby Lakatos, and Chick Corea has resulted in intriguing on-stage chemistry and compelling concerts. The orchestra also participates in multidisciplinary projects. Together with the Dutch-Italian choreographers Emio Greco & PC, the ensemble presented a theatrical production featuring a contemporary collage of Bach’s St Matthew Passion. Amsterdam Sinfonietta has also worked with the actor Jeroen Willems and stage director Pierre Audi in a programme centred on Alban Berg’s Lyric Suite. Upcoming projects include a Dessner-Greenwood double portrait featuring recent compositions by Jonny Greenwood of Radiohead fame and Bryce and Aaron Dessner from the successful rock band The National. Other future projects include collaborations with the violinist Patricia Kopatchinskaja, baritone Thomas Hampson and clarinettist Martin Fröst and tours of Germany, Russia and China.

Dejan Lazic

Pianist and composer Dejan Lazic was born into a musical family in Zagreb, Croatia, and grew up in Salzburg, Austria, where he studied at the Mozarteum. He is quickly establishing a reputation worldwide as “a brilliant pianist and a gifted musician full of ideas and able to project them persuasively” (Gramophone). The New York Times hailed his performance as “... full of poetic, shapely phrasing and vivid dynamic effects that made this music sound fresh, spontaneous and impassioned”. After a highly successful Edinburgh Festival recital, The Scotsman wrote recently: "Dejan Lazic shines like a new star!"

As recitalist and soloist with orchestra Dejan Lazic has appeared at major venues in Europe, North and South America, Asia, and Australia, and has been invited to numerous international festivals, including the world-famous BBC Proms in summer 2011.

In Spring 2008 he gave his orchestral debuts at New York’s Lincoln Center with the Budapest Festival Orchestra and Iván Fischer and at London’s Royal Festival Hall with the London Philharmonic Orchestra under the direction of Kirill Petrenko. He also gave highly successful recital debuts at the Amsterdam Concertgebouw, London Queen Elizabeth Hall, Munich Prinzregententheater, Washington Kennedy Center, in Montreal, Tokyo, Beijing and in Istanbul. In Summer 2008 he performed Beethoven's 3rd Piano Concerto at the Beijing Great Hall of People in a televised pre-olympic gala concert for an audience of 7,000.

He also performed very successfully with the Philharmonia Orchestra under Vladimir Ashkenazy, City of Birmingham Symphony Orchestra under Giovanni Antonini, Atlanta and Seattle Symphonies under Robert Spano, Swedish Radio, Danish National, Indianapolis, and Sapporo Symphonies, as well as with the Seoul, Hong Kong, and Rotterdam Philharmonic Orchestras. In Winter 2010 he toured Spain with Bamberger Symphoniker under Jonathan Nott.

Other orchestral engagements lead him to the BBC Symphony in London, BBC Philharmonic in Manchester, Royal Scottish National Orchestra in Glasgow and Edinburgh, SWR Symphony in Stuttgart, MDR Symphony in Leipzig, Residentie Orkest in The Hague, Helsinki Philharmonic, Amsterdam Sinfonietta, Orquesta Ciudad de Barcelona, and Orquestra Sinfonica do Estado de Sao Paulo. With Basel Chamber Orchestra and Giovanni Antonini he performs on tour, among others, at the Vienna Konzerthaus, Munich Herkulessaal, Cologne Philharmonie, and Brussels Palais des Beaux Arts. From 2008/09 season Dejan Lazic is “Artist in Residence” with the Netherlands Chamber Orchestra in Amsterdam.

He also enjoys a growing following in the Far East to where he returned last season for a tour with NHK Symphony Orchestra. Other engagements there include those with Yomiuri Nippon Symphony Orchestra (including concerts at Tokyo's Suntory Hall & Metropolitan Art Space), Sapporo Symphony, Seoul Philharmonic, Hong Kong Philharmonic, NSO Taiwan, as well as a series of recitals throughout Japan and at the Forbidden City Concert Hall in Beijing, China.

In November 2009 he toured Australia with the Australian Chamber Orchestra led by Richard Tognetti, including concerts at the world famous Sydney Opera House. In 2010/11 season he toured Europe, South America, and Asia with the Budapest Festival Orchestra and Iván Fischer.

Alongside his solo career Dejan Lazic is also a passionate chamber musician.

He records exclusively for Channel Classics and has released a dozen of recordings so far. The 1st volume of his new "Liaisons" series with works by Scarlatti and Bartók was released in 2007 to great critical acclaim; the 2nd volume with a Schumann/Brahms programme was released in 2009, the 3rd volume with a C.P.E. Bach/Britten programme was released in 2011. In Fall 2008 he released a CD with the London Philharmonic Orchestra under Kirill Petrenko playing Rachmaninov's famous 2nd Piano Concerto - a live recording that has earned rave reviews from critics and audiences worldwide and in addition it won the prestigious German Echo Klassik Award 2009. In February 2011 he released a disc featuring Beethoven's 4th Piano Concerto which was recorded live in Sydney with the Australian Chamber Orchestra led by Richard Tognetti.

Dejan Lazic is also active as a composer. His works include various piano compositions, chamber music (including String Quartet op. 9, written for Mstislav Rostropovich's 70th birthday gala), and orchestral works, as well as Cadenzas for Mozart, Haydn, and Beethoven Piano Concertos. In 2007/08 season he premiered his piano cycle "Kinderszenen – Hommage à Schumann" op. 15 at the Amsterdam Concertgebouw.

His recent arrangement of Brahms’s Violin Concerto for piano and orchestra saw its World Premiere on October 1, 2009 in Atlanta, USA, with the Atlanta Symphony Orchestra under their music director Robert Spano. This concert was also recorded live by Channel Classics and the CD was released in January 2010 to great critical acclaim.

Ivan Fischer

Ivan Fischer is founder and Music Director of the Budapest Festival Orchestra. The partnership between Iván Fischer and his Budapest Festival Orchestra has proved to be one of the greatest success stories in the past three decades of classical music. Intense international touring and a series of acclaimed recordings for Philips Classics, later for Channel Classics have contributed to Iván Fischer's reputation as one of the world's most visionary and successful orchestra leaders.

He has developed and introduced new types of concerts, "cocoa-concerts" for young children, "Midnight Music" concerts for students, "surprise" concerts where the programme is not announced, "one forint concerts" where he talks to the audience, open-air concerts in Budapest attracting tens of thousands of people. He has founded several festivals, including a summer festival in Budapest on baroque music and the Budapest Mahlerfest which is also a forum for commissioning and presenting new compositions.

As a guest conductor Fischer works with the finest symphony orchestras of the world. He has been invited to the Berlin Philharmonic more than ten times, he leads every year two weeks of programs with the Royal Concertgebouw Orchestra, and appears with leading US symphony orchestras, including the New York Philharmonic and the Cleveland Orchestra.

Earlier music director of Kent Opera and Lyon Opera, Principal Conductor of National Symphony Orchestra in Washington DC, his numerous recordings have won several prestigious international prizes.

Ivan Fischer studied piano, violin, cello and composition in Budapest, continuing his education in Vienna in Professor Hans Swarowsky’s conducting class. Recently he has been also active as a composer: his works have been performed in the US, Holland, Hungary, Germany and Austria, and he staged successful opera performances.

Mr. Fischer is a founder of the Hungarian Mahler Society, and Patron of the British Kodály Academy. He received the Golden Medal Award from the President of the Republic of Hungary, and the Crystal Award from the World Economic Forum for his services to help international cultural relations. The French Government named him Chevalier des Arts et des Lettres. In 2006 he was honored with the Kossuth Prize, Hungary’s most prestigious arts award. He is honorary citizen of Budapest. In 2011 he received the Royal Philharmonic Award and the Dutch Ovatie prize. In 2013 he was awarded Honorary Membership of the Royal Academy of Music in London.

As of August 2011 Ivan Fischer is music director of the Konzerthaus Berlin and principal conductor of the Konzerthausorchester Berlin.

Florilegium

Regular performances in some of the world’s most prestigious venues have confirmed Florilegium’s status as one of Britain’s most outstanding period instrument ensembles. Since their formation in 1991 they have established a reputation for stylish and exciting interpretations, from intimate chamber works to large-scale orchestral and choral repertoire.

Concert venues include Sydney Opera House, Esplanade (Singapore), Teatro Colon (Buenos Aires), Wigmore Hall and Royal Festival Hall (London), Concertgebouw (Amsterdam),Konzerthaus (Vienna), Beethoven-Haus (Bonn), Handel-Haus (Halle) and Frick Collection (New York). The numerous residencies Florilegium have held over the years include being the first period instrument Ensemble-in-Residence at London’s Wigmore Hall. This Residency was for three seasons and involved the group performing several series of concerts each year and becoming actively involved in the Hall’s education work. Since September 2008 they have been Ensemble in Association at the Royal College of Music in London, where they are responsible for coaching 18th century baroque chamber music. Their over twenty recordings for Channel Classics have been awarded many prizes including a Gramophone Award nomination, Editor’s Choice from Gramophone, Diapasons d’Or and Chocs de la Musique. Florilegium’s cd of Telemann’s Paris Quartets Vol 2 received the Classical Internet Award from Classicstoday.com. The Bach Cantatas disc with Johannette Zomer was awarded a 2008 Edison Award, Dutch music’s most prestigious prize. The second volume of Baroque Music from Bolivian Missions was nominated for a 2008 bbc Music Magazine award, and bbc Music Magazine selected volume 3 as Disc of the Month for April 2010. A disc of music by Pergolesi was released in May 2010 and was bbc Music Magazine’s cd choice in the vocal category in July 2010. Future recordings include Florilegium’s arrangements of Bach’s Organ Trio Sonatas, and a recording of Couperin’s Les Nations.

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Super Artists in Super Audio Vol. 2 (2004)

Bach, Shostakovich, Tunder, Haydn, Tchaikovsky, Cano, Rossini, Rossi, Piazzolla, Rachmaninov

The Netherlands Bach Society, Katona Twins, Amsterdam Loeki Stardust Quartet, Johannette Zomer, Paolo Giacometti, Budapest Festival Orchestra, New Century Saxophone Quartet, Pieter Wispelwey, The Gents, Amsterdam Sinfonietta, Dejan Lazic, Florilegium

Cables:Van der Hul
Digital Converters:Meitner AD?DA
Mastering Engineer:Jared Sacks
Mastering Equipment:B&W 803 diamond series
Microphones:Bruel % Kjaer, Schoeps
Mixing Board:Rens Heijnis custom made
Producer:Jared Sacks
Recording Engineer:Jared Sacks
Recording Software:Pyramix
Recording Type & Bit Rate:DSD64

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SEL3404: Super Artists in Super Audio Vol. 2
01:09:35   Select quality & channels above
Tracks
1.
Bach-Christmas Oratorio-Jauchzet frohlocket auf preiset die Tage
Bach
00:07:32   Select quality & channels above
2.
Shostakovich-sonata for cello and piano D minor-Allegro
Shostakovich
00:04:11   Select quality & channels above
3.
Tunder-An Wasserflussen Babylon
Tunder
00:05:02   Select quality & channels above
4.
Haydn-Piano Sonata in Eb-Allegro
Haydn
00:06:15   Select quality & channels above
5.
Tchaikovsky-Souvenier de Florence-Adagio cantabile e con moto
Tchaikovsky
00:05:51   Select quality & channels above
6.
Cano-Hijo de la Luna
Cano
00:04:27   Select quality & channels above
7.
Bach-Die Kunst Der Fuge-Contrapunctus 7
Bach
00:02:21   Select quality & channels above
8.
Haydn-Symphony no 101-Andante
Haydn
00:07:52   Select quality & channels above
9.
Rossini-Quelques riens pour album-Allegro Vivace
Rossini
00:03:42   Select quality & channels above
10.
Rossi-Or che la notte del silenzio amica-Zomer
Rossi
00:06:55   Select quality & channels above
11.
Bach-Fugue in G
Bach
00:02:54   Select quality & channels above
12.
Piazzolla-Homenaje a Lieja
Piazzolla
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13.
Rachmaninov-Symphony no 2-Adagio
Rachmaninov
00:06:44   Select quality & channels above

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