Super Artists in Super Audio Vol. 5 (2008)

Beethoven, Scarlatti, Bach, Vivaldi, Rossini, Dvorak, Elgar, Mozart, Traditional, Shostakovich, Lambert, Haydn, Brahms, Paganini, Caldini, Bassani, Strauss

Florilegium, Budapest Festival Orchestra, Pieter Wispelwey, Reinild Mees, The Netherlands Bach Society, Ning Feng, Tang Jun Qiao, Paolo Giacometti, Johannette Zomer, Dejan Lazic, Amsterdam Sinfonietta, Wang Lei, Katona Twins, The Amsterdam String Quartet, Rachel Podger, Amsterdam Loeki Stardust Quartet

Ivan Fischer, Jos Van Veldhoven

(…) Is like a breath of fresh air in every respect. This is one of the most immediately inviting multi-channel recordings I’ve heard, full of effortlessly crafted, tonally grateful detail and conveying a fine sense of an aptly scaled acoustic. Gramophone (…) Boasting vividly truthful sound and admirable balance (audiophile’s sound make a beeline to the SACD equivalent), this classy Channel Classics release has already afforded me heaps of stimulation and pleasure. Gramophone (…) you won’t be disappointed by the excellent sound, which gives vivid life to the theorbo selections and perfectly balances voice and instrument in an intimate acoustic setting. Classics Today (…) listen to the SACD version, which has a more detailed and finely of the wonderful playing to be found on the standard cd release. Classic FM (…) Channel Classics’ sound on this Hybrid Super Audio CD is truly super, its full-featured dynamic range and clarity lending impressive realism to an unusual and well-produced program that easily stands out among the dozens of new Christmas recordings. Classics Today.com (…) Masterful choir singing absolutely captivated and surrounded me in a multichannel wonder. Audiophile Audition (…) This superb recital, aided by a crystal-clear SACD recorded sound (even on a conventional cd player), is the perfect place to make its acquaintance. (…) terrific performances in matching surround sound. (…) International Record Review

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Florilegium

Regular performances in some of the world’s most prestigious venues have confirmed Florilegium’s status as one of Britain’s most outstanding period instrument ensembles. Since their formation in 1991 they have established a reputation for stylish and exciting interpretations, from intimate chamber works to large-scale orchestral and choral repertoire.

Concert venues include Sydney Opera House, Esplanade (Singapore), Teatro Colon (Buenos Aires), Wigmore Hall and Royal Festival Hall (London), Concertgebouw (Amsterdam),Konzerthaus (Vienna), Beethoven-Haus (Bonn), Handel-Haus (Halle) and Frick Collection (New York). The numerous residencies Florilegium have held over the years include being the first period instrument Ensemble-in-Residence at London’s Wigmore Hall. This Residency was for three seasons and involved the group performing several series of concerts each year and becoming actively involved in the Hall’s education work. Since September 2008 they have been Ensemble in Association at the Royal College of Music in London, where they are responsible for coaching 18th century baroque chamber music. Their over twenty recordings for Channel Classics have been awarded many prizes including a Gramophone Award nomination, Editor’s Choice from Gramophone, Diapasons d’Or and Chocs de la Musique. Florilegium’s cd of Telemann’s Paris Quartets Vol 2 received the Classical Internet Award from Classicstoday.com. The Bach Cantatas disc with Johannette Zomer was awarded a 2008 Edison Award, Dutch music’s most prestigious prize. The second volume of Baroque Music from Bolivian Missions was nominated for a 2008 bbc Music Magazine award, and bbc Music Magazine selected volume 3 as Disc of the Month for April 2010. A disc of music by Pergolesi was released in May 2010 and was bbc Music Magazine’s cd choice in the vocal category in July 2010. Future recordings include Florilegium’s arrangements of Bach’s Organ Trio Sonatas, and a recording of Couperin’s Les Nations.

Budapest Festival Orchestra

Ivan Fischer is founder and Music Director of the Budapest Festival Orchestra. The partnership between Iván Fischer and his Budapest Festival Orchestra has proved to be one of the greatest success stories in the past three decades of classical music. Intense international touring and a series of acclaimed recordings for Philips Classics, later for Channel Classics have contributed to Iván Fischer's reputation as one of the world's most visionary and successful orchestra leaders.

He has developed and introduced new types of concerts, "Cocoa-Concerts” for young children, "Midnight Music” concerts for students, "Surprise” concerts where the programme is not announced, "One Forint Concerts” where he talks to the audience, open-air concerts in Budapest attracting tens of thousands of people. He has founded several festivals, including a summer festival in Budapest on baroque music and the Budapest Mahlerfest which is also a forum for commissioning and presenting new compositions.

As a guest conductor Fischer works with the finest symphony orchestras of the world. He has been invited to the Berlin Philharmonic more than ten times, he leads every year two weeks of programs with the Royal Concertgebouw Orchestra, and appears with leading US symphony orchestras, including the New York Philharmonic and the Cleveland Orchestra.

Earlier music director of Kent Opera and Lyon Opera, Principal Conductor of National Symphony Orchestra in Washington DC, his numerous recordings have won several prestigious international prizes.

Ivan Fischer studied piano, violin, cello and composition in Budapest, continuing his education in Vienna in Professor Hans Swarowsky’s conducting class. Recently he has been also active as a composer: his works have been performed in the US, Holland, Hungary, Germany and Austria, and he staged successful opera performances.

Mr. Fischer is a founder of the Hungarian Mahler Society, and Patron of the British Kodály Academy. He received the Golden Medal Award from the President of the Republic of Hungary, and the Crystal Award from the World Economic Forum for his services to help international cultural relations. The French Government named him Chevalier des Arts et des Lettres. In 2006 he was honored with the Kossuth Prize, Hungary’s most prestigious arts award. He is honorary citizen of Budapest. In 2011 he received the Royal Philharmonic Award and the Dutch Ovatie prize. In 2013 he was awarded Honorary Membership of the Royal Academy of Music in London.

As of August 2011 Ivan Fischer is music director of the Konzerthaus Berlin and principal conductor of the Konzerthausorchester Berlin.

Pieter Wispelwey

Pieter was born in Haarlem in the Netherlands in 1962 and grew up with his two younger brothers in Santpoort, where his parents still live. At the age of 19 he moved to Amsterdam and has remained in the same 17th century house on the Noordermarkt ever since. Pieter's diverse musical personality is rooted in the training he received-firstly from regular exposure from a very early age to his father's amateur string quartet when they rehearsed at the Wispelwey home, to lessons with Dicky Boeke and Anner Bylsma in Amsterdam followed by studies with Paul Katz in the USA and William Pleeth in the UK. It was also Dicky Boeke who encouraged him to listen to as much music as possible but particularly sowed the seeds for his love of Renaissance music (Italian and English madrigalists!) and German Lied. These genres, particularly the performances of Dietrich Fischer Diskau, have been a constant source of inspiration for Pieter. In 1990 his first recording with Channel Classics, The Bach Cello Suites, was released to great acclaim and in 1992 he was the first cellist ever to receive the Netherlands Music Prize, which is endowed upon the most promising young musician in the Netherlands; thus his path was secured to the busy and varied career he has today.

Pieter has always been at home on the modern cello with metal and/or gut strings as he is on the baroque 4 string and 5 string cello. Therefore he covers a repertoire from JS Bach to Elliott Carter drawing on a palett of sounds and colours available from his range of instruments, string set-ups and bows. Having grown up in an age and country where hearing period instruments was very much the norm for concert-goers, Pieter naturally developed his conviction that, in the right conditions, much 18th and 19th century music sounds far better on gut strings than on metal. However he is not a purist in the sense that if conditions are less than ideal (no fortepiano, too big a hall, too hot, too humid, too dry acoustically etc.) then he is more than happy to pick up his modern cello with metal strings (which therefor is quite often the case).

Recitals have always played a major part in Pieter's concert diary. As a recitalist with piano, he has all the main repertoire at his disposal which is always ready for performance, often at very short notice. He is not, and has never been, the type of soloist who tours the world with one or two recital programmes and a couple of concertos per season. On the contrary, a typical week in Pieter's life (if one can be said to exist) could well include the Bach suites, with perhaps 2 different recital programmes, a couple of concerto appearances with a student masterclass thrown in for good measure! He has appeared as recitalist all over the world including the Concertgebouw (Amsterdam), Wigmore Hall (London), Chatelet (Paris), Teatro Colon (Buenos Aires) and Sydney Opera House. Future exciting engagements include Bach and Britten suites at the Lincoln Centre, New York and a return visit to the Edinburgh Festival.

Pieter has appeared with a variety of orchestras and ensembles both with and without conductors. Notable projects without conductors have been the touring and recording of the Schumann and Shostakovich cello concertos with the Australian Chamber Orchestra. This orchestra has, without doubt, provided for Pieter the happiest and most satisfying musical collaborations of his career to date, not least due to the genius of leader and musical director, Richard Tognetti. He has also appeared, with conductor, with the Rotterdam Philharmonic Orchestra, the BBC symphony orchestra, the Russian National Symphony, Camerata Academica Salzburg, Mahler Chamber Orchestra and the Deutsche Kammerphilharmonie Bremen to name but a few and has recorded with the Netherlands Philharmonic Orchestra and the Netherlands Radio Philharmonic. Future engagements with orchestras include the Halle, the Japan Philharmonic, the Leipzig Gewandhaus Orchestra under Herbert Blomstedt and the Orchestra of the Age of Enlightenment under Marc Minkowsky.

Ivan Fischer

Ivan Fischer is founder and Music Director of the Budapest Festival Orchestra. The partnership between Iván Fischer and his Budapest Festival Orchestra has proved to be one of the greatest success stories in the past three decades of classical music. Intense international touring and a series of acclaimed recordings for Philips Classics, later for Channel Classics have contributed to Iván Fischer's reputation as one of the world's most visionary and successful orchestra leaders.

He has developed and introduced new types of concerts, "cocoa-concerts" for young children, "Midnight Music" concerts for students, "surprise" concerts where the programme is not announced, "one forint concerts" where he talks to the audience, open-air concerts in Budapest attracting tens of thousands of people. He has founded several festivals, including a summer festival in Budapest on baroque music and the Budapest Mahlerfest which is also a forum for commissioning and presenting new compositions.

As a guest conductor Fischer works with the finest symphony orchestras of the world. He has been invited to the Berlin Philharmonic more than ten times, he leads every year two weeks of programs with the Royal Concertgebouw Orchestra, and appears with leading US symphony orchestras, including the New York Philharmonic and the Cleveland Orchestra.

Earlier music director of Kent Opera and Lyon Opera, Principal Conductor of National Symphony Orchestra in Washington DC, his numerous recordings have won several prestigious international prizes.

Ivan Fischer studied piano, violin, cello and composition in Budapest, continuing his education in Vienna in Professor Hans Swarowsky’s conducting class. Recently he has been also active as a composer: his works have been performed in the US, Holland, Hungary, Germany and Austria, and he staged successful opera performances.

Mr. Fischer is a founder of the Hungarian Mahler Society, and Patron of the British Kodály Academy. He received the Golden Medal Award from the President of the Republic of Hungary, and the Crystal Award from the World Economic Forum for his services to help international cultural relations. The French Government named him Chevalier des Arts et des Lettres. In 2006 he was honored with the Kossuth Prize, Hungary’s most prestigious arts award. He is honorary citizen of Budapest. In 2011 he received the Royal Philharmonic Award and the Dutch Ovatie prize. In 2013 he was awarded Honorary Membership of the Royal Academy of Music in London.

As of August 2011 Ivan Fischer is music director of the Konzerthaus Berlin and principal conductor of the Konzerthausorchester Berlin.

Reinild Mees

After extensive piano studies with Gérard van Blerk (Amsterdam), Malcolm Frager (USA) and Noël Lee (Paris) the Dutch pianist Reinild Mees concentrated her activities on accompanying singers and instrumentalists in recital. High-ranking artists as Elly Ameling, Gérard Souzay and Sandor Végh helped her refine and perfect her talents in this demanding métier.

Today Reinild Mees is a much sought-after accompanist for song recitals and duo concerts. She performs regularly in radio and television broadcasts. For Channel Classics Records she has recorded a number of interesting CD’s: The Complete Songs of Sir Edward Elgar, Ottorino Respighi, Franz Schreker and Karol Szymanowski. Currently she is recording all songcycles of Robert Schumann with the German baritone Jochen Kupfer, playing a historical grand piano from Schumann’s time. All of her CD’s have received extremely good reviews in Gramophone, Fono Forum, Musica, Luister and other magazines. In 2004 Reinild Mees won the Szymanowski - Award and the Medal 'Merit of Polish Culture' for her achievements in promoting the song repertoire of Karol Szymanowski. Recently the Szymanowski CD's won the FRYDERYK AWARD, the most prestigious music award in Poland for the best recording of Polish music in 2004.

As a vocal coach Reinild Mees has taught at the Amsterdam and Utrecht Conservatory, the European Centre for Opera and Vocal Art (Ghent) and the Opera Studio Nederland. In addition to accompanying masterclasses for Elisabeth Schwarzkopf, Irmgard Seefried, Galina Vishnevskaja and other famous singers she played as an official accompanist for a number of international competitions. 

In order to promote the revival of the beautiful songs, mainly from the interbellum, which have been neglected after the Second World War, Reinild Mees founded the 20th Century Song Foundation. This foundation aims to bring back the musical treasure to the public by producing (semi-staged) song recitals with special themes: Spotlights concerts.

The Netherlands Bach Society

Founded in 1921, The Netherlands Bach Society is the oldest Early Music ensemble in the Netherlands, and possibly in the whole world. Yet along with the musicians, its artistic director Jos van Veldhoven is still continually in search of contemporary ways of presenting this music, whether it be the traditional performances of the St. Matthew Passion in Naarden, other works by Johann Sebastian Bach (1685-1750) or music by his predecessors, successors, contemporaries and fellow spirits.

The programmes are often compiled in an original way and thus give a refreshing view of the various musical styles from Schütz/Monteverdi to Haydn/Mozart, as well as of the central composer Bach himself. The flexibility of the ensemble makes it possible to perform works from the secular and sacred repertoires in a great variety of combinations of musicians. In the concerts, top priority is given to beauty, emotion, quality and authentic experience.

For a long time now, the activities of The Netherlands Bach Society have not been restricted to Naarden or Het Gooi, in the Netherlands. They are attracting growing national and international attention from large concert halls and important music festivals, and the ensemble increasingly plays the honourable role of cultural ambassador.

Besides working with principal conductor Jos van Veldhoven, The Netherlands Bach Society also performs with leading early music specialists from the Netherlands and abroad, such as Rinaldo Alessandrini, Peter Dijkstra, Richard Egarr, Gustav Leonhardt, Paul McCreesh, Lars Ulrik Mortensen and Masaaki Suzuki.

In order to reinforce the authentic experience, the concerts are supported where necessary by fringe programming, including introductions, workshops, exhibitions and book publications. Further emphasis is provided by the educational projects, which have also received several awards (e.g. Euro Media Award and the Classical Music Award from the Dutch Association of Theatres and Concert Halls (VSCD)).

The Netherlands Bach Society and Jos van Veldhoven have recorded several CDs for Channel Classics, including the Great Organ Mass with the organist Leo van Doeselaar and Bach's St. Matthew Passion. Illustrated editions of the Christmas Oratorio, the St. John Passion and the Mass in B minor have been published in collaboration with Museum Catharijneconvent.

Ning Feng

Born in Chengdu, China, Ning Feng studied at the Sichuan Conservatory of Music and London’s Royal Academy of Music where he was the first student ever to be awarded 100% for his final recital. The recipient of prizes at the Hanover International, Queen Elisabeth and Yehudi Menuhin International violin competitions, Ning Feng was First Prize winner of the 2005 Michael Hill International Violin Competition (New Zealand), and in 2006 won first prize in the International Paganini Competition, following in the footsteps of violinists such as Kavakos, Kremer and Accardo.

Established at the highest level in China, Ning Feng performs regularly in his native country in recital, with their many local orchestras, and with major touring orchestras. Now based in Berlin and performing worldwide, Ning Feng has developed a reputation internationally as an artist of great lyricism and emotional transparency, displaying tremendous bravura and awe-inspiring technical accomplishment.

In recent seasons Ning has performed with orchestras such as the Budapest Festival Orchestra/Iván Fischer, Russian State Symphony/Vladimir Jurowski, Orchestre Philharmonique de Strasbourg/Tang and in halls such as Sydney Opera House, Moscow’s Great Hall, Vienna Konzerthaus, Berlin Konzerthaus, Shanghai Oriental Arts Center and Beijing’s NCPA. In recital he has played in prestigious series and festival such as Vancouver Recital Series and Hong Kong International Chamber, Prague Spring, and Schleswig-Holstein Festivals.

In the 2013/14 season, Ning’s orchestral engagements include his debut with the Berlin Konzerthaus Orchestra with Ivan Fischer, a return to the Hong Kong Philharmonic/van Zweden both in Hong Kong and Taipei, his debut with the Asturias Symphony Orchestra/Carneiro and concerts in China, Singapore, Taiwan and Macau with the Kaoshing Symphony and NCPA Orchestras. In recital, Ning Feng will perform in cities such as Hong Kong, Moscow, Boston and across China, and with Igor Levit and Sebastian Klinger he will perform piano trios across Germany, including at the Heidelberg, Ludwigsburg and Mecklenburg Vorpommern Festivals. Other festival appearances include his return to the Menuhin Festival Gstaad and Kissinger Sommer Festival where he performs every year and where he will be an Artist-in-Residence in 2014.

Ning Feng records for Channel Classics in the Netherlands. His most recent recording of the solo sonatas by Bartok, Prokofiev and Hindemith was released in August 2013. His previous disc, Solo, featuring works by Paganini, Kreisler, Berio, Schnittke and others, received a first-class review by Audiophile Audition: “You will be blown away by the artistry of this album, and blown away in great sound to boot. This is a stunning recording of solo violin works by a variety of composers… and there are really few violinists who are able to pull it off. Ning Feng is one of those who can, not only for his sterling playing but also because of the rabid intelligence behind the selection of pieces here. None of these works is anything less than enthralling, and a few approach the incandescent. Milstein’s arrangement of the Paganiniana has never been bettered… this is an unqualified recommendation of a wonderful album that demonstrates the highest artistic and programming skills possible.” His recording of the Bruch Scottish Fantasy and the Tchaikovsky Violin Concerto with Deutsches Symphonie-Orchester Berlin will be released later in 2013.

Ning Feng plays a 1721 Stradivari violin, known as the ‘MacMillan’, on private loan, kindly arranged by Premiere Performances of Hong Kong.

Tang Jun Qiao

Ms. Tang Jun Qiao, the new icon of the Chinese dizi (chinese traditional flute) art, is now an professor of dizi at the Shagnhai Conservatory of Music, member of the All
China Musicians Association, director of the All China Traditional Instrumental Ensemble, and artistic director and music consultant of the Macao Youth Ensemble of Traditional Chinese Instruments.

Tang Jun Qiao was introduced to and began to learn the dizi from her father Mr. Tang De Zong when she was a teenager. Not long after her initial training, she took part in some competitions for junior and youth instrumentalists and won the top prizes.  In 1986, she entered the Music School affiliated with theShenyang Conservatory of Music of the norther Chinese province of Liaoning, and began her study with Professor Kong Qing Shan. In 1990, only 16 years old, Tang Jun Qiao gave her debut recital.

 

Paolo Giacometti

Paolo Giacometti performs all over the world as a soloist and as a chamber musician, both on period and on modern instruments. He was born in Milan, Italy in 1970, but has been living in the Netherlands from his early childhood. He studied with Jan Wijn at the Sweelinck Conservatorium Amsterdam, where he graduated with the highest distinction. Also Gyorgy Sebök was an important source of inspiration and had a significant influence on his musical education. Paolo Giacometti has won many prizes at both national and international competitions. He has played with renowned orchestras under distinguished conductors such as Frans Brüggen, Kenneth Montgomery, Laurent Petitgirard, Michael Tilkin and Jaap van Zweden. Apart from his activities as a soloist, Paolo Giacometti’s love for chamber music has resulted in a successful co-operation with leading musicians such as Pieter Wispelwey, Gordon Nikolich, Alois Brandhofer, Janine Jansen, Bart Schneemann and Viktoria Mullova. Paolo Giacometti is a much sought-after musician at chamber music festivals in Europe, Canada and the United States. He has performed in concert halls all over the world including the Concertgebouw (Amsterdam), Teatro Colon (Buenos Aires), Wigmore Hall (London), Théâtre du Châtelet (Paris) and Seoul Arts Centre (South Korea). Paolo Giacometti records exclusively for Channel Classics. His impressive discography has been widely acclaimed by the international press. His recordings include Rossini’s complete piano works, a remarkable project that started in 1998 and was completed in 2007. In Rossini’s homeland critics say: "... Rossini has finally found his pianist ...". For the third recording of this series Giacometti was distinguished with the Edison Classical Music Award 2001. His recording of Schumann’s Humoreske, Fantasiestücke and Toccata has received the BBC Music Magazine’s Benchmark and Performance of Outstanding Quality distinctions. His recording of the Dvorák and Schumann piano concertos have been acclaimed by Gramophone as "... one of the best concerto disks I have heard in a long while ...".  Among Paolo Giacometti’s chamber music recordings, a recording with works by Schubert with cellist Pieter Wispelwey has received the Choc du Monde de la Musique and Luister 10 awards, while another recording with works by Chopin, Fauré and Poulenc, also with Pieter Wispelwey, has been awarded the Diapason d’or.  Paolo Giacometti is also a dedicated piano professor at the Robert Schumann Musikhochschule Düsseldorf.

Jos Van Veldhoven

Jos van Veldhoven studied musicology at Utrecht University, and choral and orchestral conducting at the Royal Conservatory in TheHague. He has been artistic director of TheNetherlands Bach Society since 1983, in which capacity he regularly directs performances at home and abroad of the major works of JohannSebastian Bach, his predecessors and contemporaries.Van Veldhoven also directs the UtrechtsBarok Consort, which he founded in 1976. With these ensembles he has made a great number of national and international radio, tv and cd The Netherlands Bach Society recordings, and has appeared in festivals in theNetherlands, Europe, the United States and Japan.Jos van Veldhoven is a frequent guest conductor with Dutch and foreign orchestras, including DasOrchester der Beethovenhalle Bonn, The TokyoPhilharmonic Orchestra, the Robert Schumann Philharmonie, the Essener Philharmoniker, theBrabant Orchestra and the Limburg SymphonyOrchestra. Since 2001 he has collaborated with director Dietrich Hilsdorf on a cycle of stage dHandel oratorios at the opera houses of Bonn,Chemnitz and Essen.Jos van Veldhoven has attracted frequent attention with performances of newly discovered repertoire within the realm of early music, including noteworthy performances of oratorios by Telemann and Graun, Vespers by Gastoldi,reconstructions of Bach’s St Mark Passion, theso-called Köthener Trauer-Music and many unknown seventeenth-century dialogues. VanVeldhoven has conducted many contemporary premieres of Baroque operas by composers including Mattheson, Keiser, Andrea, Bononcini,Legrenzi, Conti and Scarlatti.Jos van Veldhoven is professor of choral conducting at the Amsterdam Conservatory and theRoyal Conservatory in The Hague. In 2007 he was appointed Knight of the Order of the NetherlandsLion for his pioneering services to early music.

Johannette Zomer

After several years as a microbiologist, Dutch SopranoJohannette Zomer trained at the Sweelink Conservatorium,Amsterdam with Charles van Tassel. She currently studieswith Diane Forlano.Johannette made her opera debut as Tebaldo in Don Carlowith the Nationale Reisopera and has gone on to sing Belinda– Dido & Aeneas, La Musica & Euridice – L’Orfeo,Gassman’s Opera – Seria, Dalinda – Ariodante, Ilia – Idomeneo,Pamina – Die Zauberflöte and Amanda – Le GrandeMacabre for the company. She has also sung Oberto in Alcinaat the Komische Oper. On the concert platform she has aenviable reputation as a baroque specialist working with manyof the top conductors in the field such as Ton Koopman,Frans Bru?ggen, René Jacobs, Reinhardt Goebel and PaulMcCreesh as well as collaborating for 20th century and contemporaryrepertoire with Kent Nagano, Daniel Harding,Valery Gergiev, Reinbert de Leeuw and Peter Eötvös. Herrecent engagements have included Bach B Minor Mass with the Tonhalle Orchestra/Bru?ggen, and Euridice in Gluck’s Orfeo with the Bamberger Symfoniker/Christian Zacharias.She regularly gives recitals with fortepianist Arthur Schoonderwoerd with whom she has recordedSchubert Songs for Alpha Records and is a member of the early music ensembles Compania Vocale andAntequera with whom she sings Neapolitan and Spanish baroque repertoire and medieval Cantigas.Johannette’s recent and future plans include projects of Handel and Frank Martin with the RiasKammerchor/Daniel Reuss; Bach and Buxtehude with the Amsterdam Baroque Orchestra/Koopman,Handel with Collegium Vocale, Gent and Gluck and Buxtehude with The Netherlands Bach Soc

Dejan Lazic

Pianist and composer Dejan Lazic was born into a musical family in Zagreb, Croatia, and grew up in Salzburg, Austria, where he studied at the Mozarteum. He is quickly establishing a reputation worldwide as “a brilliant pianist and a gifted musician full of ideas and able to project them persuasively” (Gramophone). The New York Times hailed his performance as “... full of poetic, shapely phrasing and vivid dynamic effects that made this music sound fresh, spontaneous and impassioned”. After a highly successful Edinburgh Festival recital, The Scotsman wrote recently: "Dejan Lazic shines like a new star!"

As recitalist and soloist with orchestra Dejan Lazic has appeared at major venues in Europe, North and South America, Asia, and Australia, and has been invited to numerous international festivals, including the world-famous BBC Proms in summer 2011.

In Spring 2008 he gave his orchestral debuts at New York’s Lincoln Center with the Budapest Festival Orchestra and Iván Fischer and at London’s Royal Festival Hall with the London Philharmonic Orchestra under the direction of Kirill Petrenko. He also gave highly successful recital debuts at the Amsterdam Concertgebouw, London Queen Elizabeth Hall, Munich Prinzregententheater, Washington Kennedy Center, in Montreal, Tokyo, Beijing and in Istanbul. In Summer 2008 he performed Beethoven's 3rd Piano Concerto at the Beijing Great Hall of People in a televised pre-olympic gala concert for an audience of 7,000.

He also performed very successfully with the Philharmonia Orchestra under Vladimir Ashkenazy, City of Birmingham Symphony Orchestra under Giovanni Antonini, Atlanta and Seattle Symphonies under Robert Spano, Swedish Radio, Danish National, Indianapolis, and Sapporo Symphonies, as well as with the Seoul, Hong Kong, and Rotterdam Philharmonic Orchestras. In Winter 2010 he toured Spain with Bamberger Symphoniker under Jonathan Nott.

Other orchestral engagements lead him to the BBC Symphony in London, BBC Philharmonic in Manchester, Royal Scottish National Orchestra in Glasgow and Edinburgh, SWR Symphony in Stuttgart, MDR Symphony in Leipzig, Residentie Orkest in The Hague, Helsinki Philharmonic, Amsterdam Sinfonietta, Orquesta Ciudad de Barcelona, and Orquestra Sinfonica do Estado de Sao Paulo. With Basel Chamber Orchestra and Giovanni Antonini he performs on tour, among others, at the Vienna Konzerthaus, Munich Herkulessaal, Cologne Philharmonie, and Brussels Palais des Beaux Arts. From 2008/09 season Dejan Lazic is “Artist in Residence” with the Netherlands Chamber Orchestra in Amsterdam.

He also enjoys a growing following in the Far East to where he returned last season for a tour with NHK Symphony Orchestra. Other engagements there include those with Yomiuri Nippon Symphony Orchestra (including concerts at Tokyo's Suntory Hall & Metropolitan Art Space), Sapporo Symphony, Seoul Philharmonic, Hong Kong Philharmonic, NSO Taiwan, as well as a series of recitals throughout Japan and at the Forbidden City Concert Hall in Beijing, China.

In November 2009 he toured Australia with the Australian Chamber Orchestra led by Richard Tognetti, including concerts at the world famous Sydney Opera House. In 2010/11 season he toured Europe, South America, and Asia with the Budapest Festival Orchestra and Iván Fischer.

Alongside his solo career Dejan Lazic is also a passionate chamber musician.

He records exclusively for Channel Classics and has released a dozen of recordings so far. The 1st volume of his new "Liaisons" series with works by Scarlatti and Bartók was released in 2007 to great critical acclaim; the 2nd volume with a Schumann/Brahms programme was released in 2009, the 3rd volume with a C.P.E. Bach/Britten programme was released in 2011. In Fall 2008 he released a CD with the London Philharmonic Orchestra under Kirill Petrenko playing Rachmaninov's famous 2nd Piano Concerto - a live recording that has earned rave reviews from critics and audiences worldwide and in addition it won the prestigious German Echo Klassik Award 2009. In February 2011 he released a disc featuring Beethoven's 4th Piano Concerto which was recorded live in Sydney with the Australian Chamber Orchestra led by Richard Tognetti.

Dejan Lazic is also active as a composer. His works include various piano compositions, chamber music (including String Quartet op. 9, written for Mstislav Rostropovich's 70th birthday gala), and orchestral works, as well as Cadenzas for Mozart, Haydn, and Beethoven Piano Concertos. In 2007/08 season he premiered his piano cycle "Kinderszenen – Hommage à Schumann" op. 15 at the Amsterdam Concertgebouw.

His recent arrangement of Brahms’s Violin Concerto for piano and orchestra saw its World Premiere on October 1, 2009 in Atlanta, USA, with the Atlanta Symphony Orchestra under their music director Robert Spano. This concert was also recorded live by Channel Classics and the CD was released in January 2010 to great critical acclaim.

Amsterdam Sinfonietta

Amsterdam Sinfonietta is an ensemble of 22 gifted musicians who perform under the direction of Candida Thompson, artistic director|lead violin since 2003. The ensemble’s defining feature is the strong involvement and artistic drive of each individual member. The group has gained a reputation for distinguished, performances and innovative programming, often featuring surprising combinations of works. It collaborates with renowned artists and performs in major venues around throughout the world.

Founded in 1988 Amsterdam Sinfonietta is a highly respected ensemble with strong roots in the Dutch cultural scene. Every season it presents a series of concerts in the major concert halls of the The Netherlands. The orchestra boasts a young and loyal audience. Amsterdam Sinfonietta performs ingenious programmes featuring well-known repertoire combined with commissions, new arrangements or rarely performed works. Recent commissions include world premières of compositions by Sofia Gubaidulina, HK Gruber, Michel van der Aa and P?teris Vasks. Over the past seasons Amsterdam Sinfonietta has initiated and recorded new arrangements of various chamber music works. These include works by Beethoven, Brahms, Mahler, Schulhoff, Haas, Shostakovich and Berg.

Amsterdam Sinfonietta enjoys intensive collaborations with pre-eminent musicians. Guest artists such as Janine Jansen, David Fray, Jean-Guihen Queyras, Barbara Hannigan, Maxim Vengerov, Thomas Hampson, Sergey Khachatryan, Christianne Stotijn, Håkan Hardenberger, Martin Fröst, Julian Rachlin, Sol Gabetta, James Gilchrist, Natalia Gutman and Isabelle van Keulen have made return appearances with the orchestra.

Recently the ensemble toured China performing concerts with cellist Pieter Wispelwey. The group also performed spectacular performances with solo cellist Sol Gabetta at the Barbican in London, the Philharmonie in Luxemburg, Bozar in Brussels, the Musikhalle in Hamburg and the Konserthuset in Stockholm. The latest tour through Germany and Belgium with the French pianist David Fray was a resouding success culminating in ecstatic reviews. Following concerts in Berlin, Cologne, Frankfurt and Düsseldorf and the Frankfurter Rundschau wrote: ’For the chamber orchestra Amsterdam Sinfonietta, performing under the direction of Candida Thompson, the keyword is alertness. The 22 string players […] communicate with each other in a state of heightened awareness. Each player listens attentively to the others, to the counter lines and tonal colours. […] The result sounded fresh and modern – simply brilliant.’ The group has been a guest at many international festivals including the Adelaide Festival, Gergiev Festival, Schleswig Holstein Festival and La Roque d’Antheron and also appears regularly at the Holland Festival and in the Robeco Summer Series and Carte Blanche Series in the Amsterdam Concertgebouw.

Every year the ensemble shows its versatility with a New Year’s programme that transcends the bounds of a conventional concert. This New Year’s programme has become a tradition attracting new and diverse audiences in many national venues. Joining forces with artists such as Bobby McFerrin, Roby Lakatos, and Chick Corea has resulted in intriguing on-stage chemistry and compelling concerts. The orchestra also participates in multidisciplinary projects. Together with the Dutch-Italian choreographers Emio Greco & PC, the ensemble presented a theatrical production featuring a contemporary collage of Bach’s St Matthew Passion. Amsterdam Sinfonietta has also worked with the actor Jeroen Willems and stage director Pierre Audi in a programme centred on Alban Berg’s Lyric Suite. Upcoming projects include a Dessner-Greenwood double portrait featuring recent compositions by Jonny Greenwood of Radiohead fame and Bryce and Aaron Dessner from the successful rock band The National. Other future projects include collaborations with the violinist Patricia Kopatchinskaja, baritone Thomas Hampson and clarinettist Martin Fröst and tours of Germany, Russia and China.

Katona Twins

Critically acclaimed by the Daily Telegraph as “the classical world’s best known guitar duo”, Peter and Zoltán Katona effortlessly transfer from strictly classical, into more popular musical genres. They have given recitals in the major concert venues throughout the world including performances at the Carnegie Hall, the Wigmore Hall, the Concertgebouw in Amsterdam, the Konzerthaus in Vienna, the Suntory Hall in Tokyo, and the Philharmonie in Cologne.

In 2009, as the soloists of the “Night of the Proms” they performed live to half a million people in arenas across Europe. The twins have won over ten international prizes at major competitions in New York, London, Germany, France and Hungary. They were resident Artists of San Francisco Performances from 2007-2011. 

The wide repertoire of the duo spans from Bach to Piazzolla’s tango musicand their own arrangements of pop classics. Their programmes also include concertos for two guitars and orchestra by Rodrigo, Vivaldi, Piazzolla and Tedesco. Several contemporary composers have written for and dedicated works to the Katona Twins. The duo studied in Budapest, Frankfurt and in London. The Katona Twins have been invited on numerous occasions to record for the BBC and other international television and radio stations. They played together with renowned musicians such as Yo-Yo Ma and world class ensembles such as the BBC Concert Orchestra and the London Sinfonietta.

The Amsterdam String Quartet

The Amsterdam String Quartet is one of todays leading period instrument string quartets. The ensemble is specialized in the repertoire of the golden age of the string quartet: from 1762 to 1847. The Amsterdam String Quartet performs the works of Haydn, Mozart, Beethoven, Schubert, Schumann and Mendelssohn as well as the finest works of their lesser known contemporaries. Its members are all internationally respected specialists at the forefront of the early music scene. They are violinists Alida Schat and John Wilson Meyer, violist Jane Rogers and cellist Thomas Pitt.

Rachel Podger

Rachel Podger is one of the most creative talents to emerge in the field of period performance. Over the last two decades she has established herself as a leading interpreter of the music of the Baroque and Classical periods. She was educated inGermany and in England at the Guildhall School of Music and Drama, where she studied with David Takeno and Micaela Comberti. After beginnings with The Palladian Ensemble and Florilegium, she was leader ofThe English Concert from 1997 to 2002 and in 2004 began a guest directorship with The Orchestra of the Age of Enlightenment with whom she appeared in a televised bbc Prom in 2007.

As a guest director and soloist she has collaborated with numerous orchestras including Arte dei Suonatori (Poland), Musica Angelica and Santa Fe ProMusica (usa), The Academy of Ancient Music, The European Union BaroqueOrchestra, Holland Baroque Society, the Handel and Haydn Society (usa), Philharmonia Baroque Orchestra (usa). Rachel has toured and recorded extensively with fortepianist Gary Cooper. Rachel records exclusively for Channel Classics and has won numerous prestigious awards including the Baroque Instrumental Gramophone Award for La Stravaganza in2003 and the Diapason d’Or de l’année in the Baroque Ensemble category for the LaCetra Vivaldi concertos with Holland Baroque Society in 2012.

Rachel directs her own ensemble, Brecon Baroque, with whom she has recorded Bach’s Violin Concertos, released in October 2010 to outstanding reviews. She is also Artistic Director of her own festival: the Brecon Baroque Festival. Rachel is an honorary member of both the Royal Academy of Music (where she holds the Michaela Comberti Chair for Baroque Violin) and the Royal Welsh College of Music and Drama (where she holds the Jane Hodge Foundation International Chair in Baroque Violin) and teaches at institutions throughout the world.

Amsterdam Loeki Stardust Quartet

Since its formation the Amsterdam Loeki Stardust Quartet has explored the boundaries of the recorder consort. Its musical adventure started in 1978 when studying at the Sweelinck conservatory in Amsterdam and discovering the quartet as a new phenomenon. The ensemble's reputation grew quickly when they emerged as the winner of the 1981 Musica Antigua Competition in Bruges despite testing the competition rules by performing an unusual arrangement of a Stevie Wonder song.

What followed was the recognition as a serious ensemble of unparalleled virtuosity, a recording contract with Decca and the start of an international career. Both their playing style and choice of repertoire, something unheard of at the time, made them appear at many festivals and they toured throughout Europe the United States, South America and Japan. Their unusual name refers to a melody played on their very first rehearsal. It expresses affection for unusual repertoire in addition to the classic consort music of the Renaissance and Baroque periods.

A number of composers have been inspired to write for the Quartet, which has helped create a new repertoire that proves the instrument to be an important voice of our time. Graham Fitkin, Tristan Keuris, Chiel Meijering, Peter Jan Wagemans, Philip Wharton en Lera Auerbach are amongst the many composers who wrote for the quartet. The Quartet also contributes to the expansion of the recorder repertoire by publishing a series of new recorder music and through the collaboration with recorder makers. The Boston based instrument maker Friedrich von Huene designed a fully keyed bass and contrabass recorder allowing the group amongst others to perform and record Bach’s Art of Fugue. The group has assembled a unique collection of over a hundred Renaissance, Baroque and modern recorders, ranging from an 8-inch sopranino to a sub-contrabass measuring over nine feet. The quartet’s recordings (for L'Oiseau-Lyre, Decca and Channel Classics) have confirmed its reputation as the world's most innovative and exciting recorder consort.

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Super Artists in Super Audio Vol. 5 (2008)

Beethoven, Scarlatti, Bach, Vivaldi, Rossini, Dvorak, Elgar, Mozart, Traditional, Shostakovich, Lambert, Haydn, Brahms, Paganini, Caldini, Bassani, Strauss

Florilegium, Budapest Festival Orchestra, Pieter Wispelwey, Reinild Mees, The Netherlands Bach Society, Ning Feng, Tang Jun Qiao, Paolo Giacometti, Johannette Zomer, Dejan Lazic, Amsterdam Sinfonietta, Wang Lei, Katona Twins, The Amsterdam String Quartet, Rachel Podger, Amsterdam Loeki Stardust Quartet

Cables:Van den Hul
Digital Converters:Grimm AD
Mastering Engineer:Jared Sacks
Mastering Equipment:B&W 803 diamond series
Microphones:Bruel & Kjaer, Schoeps
Mixing Board:Rens Heijnis Custom made
Producer:Jared Sacks
Recording Engineer:Jared Sacks
Recording Software:Pyramix
Recording Type & Bit Rate:DSD64

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SEL5108: Super Artists in Super Audio Vol. 5
01:13:23   Select quality & channels above
Tracks
1.
Beethoven-Symphony no 7-Poco Sostenuto
Beethoven
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2.
Scarlatti-Sonata in C major K 420-Allegro
Scarlatti
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3.
Bach-Cantata-Aria -Wie Freudig ist mein Herz
Bach
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4.
Vivaldi-Trio Sonata in B minor-Allegro
Vivaldi
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5.
Rossini-Quatre Mendiants Les Noisettes
Rossini
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6.
Dvorak Concerto for Cello in b minor-Allegro ma non troppo
Dvorak
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7.
Elgar-In Haven Capri Op 37 No 2
Elgar
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8.
Mozart-Sonata in G k9 Andante
Mozart
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9.
Cun Jolly Meeting-Tang Jun Qiao
Traditional
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10.
Shostakovich-String quartet no 2no 4 Allegretto
Shostakovich
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11.
Lambert-Ombre de mon amant
Lambert
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12.
Haydn String Quartet Op 76 no 1 Menuetto Presto
Haydn
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13.
Brahms Cello Sonate in F minor nor 1-Andante un poco adagio
Brahms
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14.
Tug at China's Heartstrings-Riddel Guessing
Traditional
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15.
Paganini-Cantabile
Paganini
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16.
Bach-Mass in b minor-Missa Quoni am tu solus Sanctus
Bach
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17.
Caldini-Sonatina in Quartetto op 65-F-Disco Rondo
Caldini
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18.
Bassani-Missa Encarnacion-Kyrie
Bassani
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19.
Strauss-Josephs Legende Joseph and the angel stride onwards
Strauss
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